Synopses & Reviews
An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor.
At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn't the monster Conor's been expecting-- he's been expecting the one from his nightmare, the nightmare he's had nearly every night since his mother started her treatments. The monster in his backyard is different. It's ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd-- whose premature death from cancer prevented her from writing it herself-- Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.
"In his introduction to this profoundly moving, expertly crafted tale of unaccountable loss, Ness explains how he developed the story from a set of notes left by Siobhan Dowd, who died in 2007 before she had completed a first draft. 'I felt and feel as if I've been handed a baton, like a particularly fine writer has given me her story and said, Ã¢Â€Â˜Go. Run with it. Make trouble.'Â ' What Ness has produced is a singular masterpiece, exceptionally well-served by Kay's atmospheric and ominous illustrations. Conor O'Malley is 13. His mother is being treated for cancer; his father, Liam, has remarried and lives in America; and Conor is left in the care of a grandmother who cares more for her antique wall clock than her grandson. This grim existence is compounded by bullies at school who make fun of his mother's baldness, and an actual nightmare that wakes Conor, screaming, on a recurring basis. Then comes the monster part human, part arboreal a hulking yew tree that walks to his window just after midnight and tells three inscrutable parables, each of which disappoints Conor because the good guy is continually wronged. 'Many things that are true feel like a cheat,' the monster explains. In return for the monster's stories, Conor must tell his own, and the monster demands it be true, forcing Conor, a good boy, a dutiful son, to face up to his feelings: rage and, worse still, fear. If one point of writing is to leave something that transcends human existence, Ness has pulled a fast one on the Grim Reaper, finishing the story death kept Dowd from giving us. It is a story that not only does honor to her memory, it tackles the toughest of subjects by refusing to flinch, meeting the ugly truth about life head-on with compassion, bravery, and insight. Ages 12 up. (Sept.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
The Black Dog of Depression has descended over the adults of Dublin. Uncles are losing their businesses, dads wonandrsquo;t get out of bed, mothers no longer smile at their children. Siblings Raymond and Gloria have had enough and set out one night with one goal in mind: to stop the Black Dog, whatever it takes. In a chase through the streets and parks and beaches of Dublin, the children run after the Black Dog, and soon dozens, then hundreds, then thousands of kids join in their fight. They discover they have one weapon against the Black Dog. The weapon is a word: andldquo;brilliant.andrdquo;
Illustrated throughout by a bright new talent and told through the masterful dialogue for which the acclaimed Roddy Doyle is known, Brilliant is a very special book with a storybook feel.
About the Author
Patrick Ness is the author of the critically acclaimed and best-selling Chaos Walking trilogy. He has won numerous awards, including the Guardian Children's Fiction Prize, the Booktrust Teenage Prize, and the Costa Children's Book Award. Born in Virginia, he lives in London.
Siobhan Dowd spent twenty years as a human rights campaigner for PEN and Amnesty International before her first novel, A SWIFT PURE CRY, was published in 2006. She won the Carnegie Medal posthumously in 2009 after her death at the age of forty-seven.
Jim Kay studied illustration and worked in the archives of the Tate Gallery and the Kew Royal Botanic Gardens, two experiences that heavily influence his work. His images for A MONSTER CALLS use everything from beetles to breadboards to create interesting marks and textures. Jim Kay lives in Edinburgh, Scotland.