Includes bibliographical references (p. -494).
About the Author
Carolyn G. Heilbrun, Avalon Foundation Professor in the Humanities Emerita at Columbia University, has authored scholarly classics such as Writing A Woman's Life. As Amanda Cross she has written numerous bestselling Kate Fansler mysteries including Honest Doubt. She lives in New York City.
Reading Group Guide
1. T. S. Eliot called The Moonstone “the first and the best of English detective novels.” What classic elements of mystery are present in this story, and how has the genre of detective fiction evolved from the 1860s to the present day?
2. Discuss Collinss employment of first-hand accounts to tell the story of The Moonstone. What does each narrator bring to the story, and how skillful is the author in shifting from comedy to pathos, romance to suspense? Is it an effective method of storytelling?
3. According to his 1868 preface, Collinss stated objective was to trace the influence of character on circumstances. Whose character exerts the strongest influence on the plot of this novel, and how?
4. Drawing on the Prologue, as well as the opinions expressed by characters including Mr. Betteredge and Mr. Murthwaite, what may be determined about Collinss views on British imperialism? Does he support or defy racial stereotypes in his depiction of the trio of Brahmins?
5. When Penelope suggests to her father that Rosanna Spearman has fallen in love with Franklin Blake, Betteredge bursts out laughing at the “absurdity” of it. What additional examples of class distinctions are evident in The Moonstone?
6. Dorothy L. Sayers, the acclaimed detective novelist, noted that, for his time, Collins was “genuinely feminist” in his treatment of women. Do you agree?
7. Discuss the role that opium plays in The Moonstone. Is it a believable plot device? Does the fact that the author created the story while under the influence of laudanum lend credibility to his depiction of its effects?
8. Charles Dickens, longtime friend and mentor to Wilkie Collins, edited and published The Moonstone in its initial serialized form. What do these two writers have in common in terms of style, structure, and characterization? How do they differ?