Synopses & Reviews
With thick pages cut into the shape of each letter, children and parents will enjoy this peek-through guessing game around the letterform itself. Sprinkles, hot fudge, and cherries hint at I
's ice cream sundae
, while aquarium accessories hint at F
. As readers interact with the pages, they will familiarize themselves not only with the 26 letters and associated words, but also with each letters physicality angles, holes, and curves, both front and back. With Peskimo's animated, stylish visuals, this fresh ABC book encourages readers to manipulate the alphabet in a whole new way.
Note: illustrations have a retro feel, with imperfect variations in color and texture.
"Every letter gets a full two spreads in this chunky abecedarian, in which die-cut versions of the letters serve as alternating pages. Franceschelli uses the familiar 'A is for...' construction, and the spreads provide visual clues about the conclusions to each sentence. On the D page, the tail end of a dog can be seen through the open center of a red capital D; turning the page reveals the dog in full, as it happily tracks muddy paw prints through a retro-chic room with checkered floor. The straightforward vocabulary, cheery vintage-style graphics, and neat incorporation of cut-out letters make for a sharply designed package. Ages 14." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"All the parts together make an appealing and fun way for youngsters to interact with the alphabet, and for slightly older children to enjoy the clever artwork." School Library Journal, starred review
"The straightforward vocabulary, cheery vintage-style graphics, and neat incorporation of cut-out letters make for a sharply designed package." Publishers Weekly
"With a pleasing, retro feel, Peskimo's art uses bold colors in a slightly muted hue and the weathered look of woodblock prints
.A visually captivating delight for careful little ones." Kirkus Reviews
"While it's graphically sophisticated enough to please adults, little children can happily flip through this book on their own." The New York Times
"The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more...." Starr LaTronica, North Berkeley Lib., CA
Copyright 1990 Reed Business Information, Inc.
The Caldecott Honor-winning book by the author/illustrator of A Chair for My Mother. Meet Little Guy, Little Pumpkin, and Little Bird, stars of three vignettes that celebrate the joy babies generate among those who love them.
Three babies are caught up in the air and given loving attention by a father, grandmother, and mother.
So will you.
About the Author
Vera B. Williams began her career in children’s books by illustrating Hooray for Me!, written by Remy Charlip with Lilian Moore. Her A Chair for My Mother won multiple awards, including a Caldecott Honor, and it was chosen as one of the New York Public Library’s 100 Best Children’s Books of the past 100 years. “More, More, More,” Said the Baby also received a Caldecott Honor. Vera B. Williams was the recipient of the Jane Addams Children’s Book Award; she was awarded the 2009 NSK Neustadt Prize for Children’s Literature; and she was the US nominee for the Hans Christian Andersen Award in 2004. Vera B. Williams died on October 16, 2015, shortly before this book was completed.