Synopses & Reviews
A special kind of horror is reserved for mothers who kill their children. Cases such as those of Susan Smith, who drowned her two young sons by driving her car into a lake, and Melissa Drexler, who disposed of her newborn baby in a restroom at her prom, become media sensations. Unfortunately, in addition to these high-profile cases, hundreds of mothers kill their children in the United States each year. The question most often asked is, why? What would drive a mother to kill her own child?
Those who work with such cases, whether in clinical psychology, social services, law enforcement or academia, often lack basic understandings about the types of circumstances and patterns which might lead to these tragic deaths, and the social constructions of motherhood which may affect women's actions. These mothers oftentimes defy the myths and media exploitation of them as evil, insane, or lacking moral principles, and they are not a homogenous group. In obvious ways, intervention strategies should differ for a teenager who denies her pregnancy and then kills her newborn and a mother who kills her two toddlers out of mental illness or to further a relationship. A typology is needed to help us to understand the different cases that commonly occur and the patterns they follow in order to make possible more effective prevention plans.
Mothers Who Kill Their Children draws on extensive research to identify clear patterns among the cases of women who kill their children, shedding light on why some women commit these acts. The characteristics the authors establish will be helpful in creating more meaningful policies, more targeted intervention strategies, and more knowledgeable evaluations of these cases when they arise.
Review
"Through vivid sketches of the lives of women wh have killed their children, Meyer and Oberman shatter the myth that such mothers are necessarily mad or monstrous. This carefully researched account shows how social forces can contribute to both the causes and the cures for infanticide. Readers will find themselves shifting from asking, 'How could she do that?' to 'How could we have let that happen to her?'."-Laura J. Miller M.D,Editor Postpartum Mood Disorders and Chief of Women's Mental Health Services, University of Illinois at Chicago
Review
"This book is informative and interesting and would be useful both in academic and professional settings." -Feminism and Psychology,
Review
"Meyer and Oberman's comprehensive work represents the most extensive study to date of American mothers who have killed their children. Written in a manner that is accessible to the general public, and at the same time useful for medical and legal experts, they use extensive resources and expert methodology to provide a sophisticated contemporary classification of these cases. Perhaps the most significant and unique contribution of this work lies in its invitation to the reader to test the limits of compassion, taking this unique opportunity to understand the tragic causes of child mortality so that we can begin to lay the foundations for understanding these cases as patterned and predictable, identify women and children at risk, and prevent these tragedies."-Margaret G Spinelli M.D,Director of the Maternal Mental Health Program The New York State Psychiatric Institute and Assistant Professor of Psychiatry Columbia University College of Physicians and Surgeons
Review
"Characterized by remarkable invention and wit, in rare combination with philosophical depth and genuine feeling, Swan, What Shores? is carefully put together—admirably coherent, though varied with novel excursions in form. Autobiographical references provide continuity and humanity, but the collection never threatens to become confessional. . . . This is a book that deserves wide circulation. It is subtle, substantial, surprising, and appealing."-Leonard Trawick,Emeritus Professor and former editor, Cleveland State University Poetry Center
Review
"In this fine new book, Veronica Patterson continually lifts up her swan in the arc of flight so that the poems keep echoing a language that struggles to speak of death, of love, of the two together, and of words themselves striving toward an utterance which may carry the music of a swan song yet which arises in this very life touched by joy and playfulness and wonder."--, -Mary Crow,poet laureate of Colorado and author of I Have Tasted the Apple
Synopsis
An inside look into patterns and potential prevention plans for one of the most hotly sensationalized crimes
A special kind of horror is reserved for mothers who kill their children. Cases such as those of Susan Smith, who drowned her two young sons by driving her car into a lake, and Melissa Drexler, who disposed of her newborn baby in a restroom at her prom, become media sensations. Unfortunately, in addition to these high-profile cases, hundreds of mothers kill their children in the United States each year. The question most often asked is, why? What would drive a mother to kill her own child?
Those who work with such cases, whether in clinical psychology, social services, law enforcement or academia, often lack basic understandings about the types of circumstances and patterns which might lead to these tragic deaths, and the social constructions of motherhood which may affect women's actions. These mothers oftentimes defy the myths and media exploitation of them as evil, insane, or lacking moral principles, and they are not a homogenous group. In obvious ways, intervention strategies should differ for a teenager who denies her pregnancy and then kills her newborn and a mother who kills her two toddlers out of mental illness or to further a relationship. A typology is needed to help us to understand the different cases that commonly occur and the patterns they follow in order to make possible more effective prevention plans.
Mothers Who Kill Their Children draws on extensive research to identify clear patterns among the cases of women who kill their children, shedding light on why some women commit these acts. The characteristics the authors establish will be helpful in creating more meaningful policies, more targeted intervention strategies, and more knowledgeable evaluations of these cases when they arise.
Synopsis
Winner of the Colorado Book Award;
Winner of the Willa Literary Award
As heard on Public Radio International's The Writer's Almanac!
Full of music and evocative word play, Veronica Patterson's Swan, What Shores? offers alluring poems varied in form and inventive in approach. In language that is both precise and lyrical, Patterson's work, like much of the best poetry, plumbs the human condition with depth, wit, and, above all, compassion.
The poems offer fine surprises, from the lyrical litany of "The Riddle of My Want" ("the stride of your eyes / a summering of skin") to the unusual elegy "Three Photographs Not of My Father" to the mysteries embodied in "Where Are My Swans?": "All movement in their dreams is theirs / that glide-without-haste, for what core of the universe / has to hurry?"
Swan, What Shores? marks the blossoming of a major poetic talent.
About the Author
The author of one previous collection of poetry How to Make a Terrarium, VERONICA PATTERSON grew up in Ithaca, New York, and graduated from Cornell University, the University of Michigan, and the University of Northern Colorado. Her work has appeared in the Southern Poetry Review, the Colorado Review, the Bloomsbury Review, Caliban, The Sun, and numerous other magazines and journals. She lives in Loveland, CO.