Synopses & Reviews
Now back in print along with Roald Dahl’s Switch Bitch, a surprisingly naughty and hilarious adult book by the beloved children’s author
Children and adults alike adore the dark humor that pervades such Roald Dahl classics as Charlie and the Chocolate Factory and Fantastic Mr. Fox. Yet the celebrated author sometimes followed his imagination down a much more risqué path.
Showcasing this lesser-known erotic side of Dahl's celebrated genius that would make even a fan of Fifty Shades of Grey blush, My Uncle Oswald is the unapologetically racy memoir of Oswald Hendryks Cornelius—bon vivant, collector of spiders, and undoubtedly the greatest fornicator of all time.
"One of the most widely read and influential writers of our generation."
"Raunchy exuberance and cheeky entertainment."
"Deliciously silly." Observer
"What can be said is that My Uncle Oswald
provides four or five hours of effortless reading and some amusing scenes, mostly of the kind film makers have taught us to call soft porn—so soft, indeed, that at times they turn out almost fluffy.
The tone is that of a gentleman telling ribald anecdotes to his male guests after dinner. The leer is civilized . . . the dialog gets mean and raunchy, but the physical detail is kept decorous. . . . Mr. Dahl's guests are not invited to vicarious orgy, then, nor will they hear a disguised lecture by a wicked satirist of morals and manners."
"A festival of bad taste that is at heart so innocent that we soon forgive it and enjoy ourselves . . . thoroughly juvenile fun . . . I haven't had so much fun of this sort since my last all-night joke-telling session at summer camp." Christopher Lehman-Haupt
"An endearing story." -Sunday Times
Roald Dahl fans will rejoice at the opportunity to bring their favorite books and characters to life. Five of Dahls hugely popular, beloved books have been adapted into winning plays for children. With useful tips on staging, props, and costumes, these plays can be produced with a minimum amount of resources and experience. Teachers, parents, and children everywhere will recognize Quentin Blakes appealing classic cover art and will find these easy-to-perform plays to be a great source of entertainment!
Roald Dahl's personal stories together in one edition!
Where did Roald Dahl get all of his wonderful ideas for stories? From his own life, of course! Boy includes tales of sweetshops and chocolate, mean old ladies, and the Great Mouse Plot. And then Going Solo tells of how, when he grew up, Roald Dahl left England for Africa and later went flying with the Royal Air Force.
Twice turned into a feature film, Charlie and the Chocolate Factory is a delectable classic about a child's dreams and the eccentric chocolate-maker who makes them come true. When Willy Wonka's hallowed chocolate factory holds a worldwide contest awarding tours to the lucky, five children emerge as winners, including a glutton, a gum- chewing nitwit, a spoiled brat, and a TV addict. Only Charlie Bucket, the story's earnest hero, stands to win the exotic riches of Wonka's empire-if he avoids the pitfalls of his fellow contestants and stays true to his heart. Ingenious and entertaining, Charlie and the Chocolate Factory is a true modern classic.
Roald Dahl's perennial bestseller about a boy's magical journey across the sea, James and the Giant Peach, celebrates its fiftieth anniversary in 2011. When James, a boy stuck living with his cantankerous aunts, is given magic crystals by a sympathetic wizard, he accidentally drops them at the foot of the peach tree outside his house, causing one of the fruits to grow the size of a house. Inside he finds oversized insects who promise him deliverance from his aunts, and soon the giant peach is rolling downhill, bound for the Atlantic Ocean and beyond on a magnificent adventure that will take James and his new friends far indeed.
Little Billy strays into the forest, where he meets the Minpins?tiny people who live within the trees. The Minpins tell Billy about The Gruncher, who preys on them. So Billy embarks on a mission to rid the Minpins of their foe once and for all, and sets off?on the back of a swan?to confront The Gruncher.
A dazzling volume containing two classic Roald Dahl novels!
Charlie Bucket and Willy Wonka have been children's favorites for generations. Now their two books are available in one stunning edition! In Charlie and the Chocolate Factory, the gates of Willy Wonka's chocolate factory are opening at last . . . and only five children will be allowed inside. And then in Charlie and the Great Glass Elevator, Charlie and Willy Wonka are back in a fantastic journey to outer space.
Roald Dahl's inimitable style and humor shine in this collection of poems about mischievous and mysterious animals. From Stingaling the scorpion to Crocky-Wock the crocodile, Dahl's animals are nothing short of ridiculous. A clever pig with an unmentionable plan to save his own bacon and an anteater with an unusually large appetite are among the characters created by Dahl in these timeless rhymes. This new, larger edition is perfect for reading aloud and makes Quentin Blake's celebrated illustrations even more enjoyable.
"Will elicit a loud 'Yuck.' In other words, children will love them." (Children's Book Review Service)
About the Author
Roald Dahl was born in Llandaff, Wales on September 13th 1916. His parents were Norwegian and he was the only son of a second marriage. His father, Harald, and elder sister Astri died when Roald was just three. His mother, Sofie, was left to raise two stepchildren and her own four children (Alfhild, Roald, Else and Asta). Roald was her only son. He remembered his mother as “a rock, a real rock, always on your side whatever you’d done. It gave me the most tremendous feeling of security”. Roald based the character of the grandmother in The Witches on his mother - it was his tribute to her.
The young Roald loved stories and books. His mother told Roald and his sisters tales about trolls and other mythical Norwegian creatures. “She was a great teller of tales,” Roald said, “Her memory was prodigious and nothing that ever happened to her in her life was forgotten.” As an older child, Roald enjoyed adventure stories - “Captain Marryat was one of my favourites” – before going on to read Dickens and Thackeray as well as short-story writer Ambrose Bierce.
His father Harald was, as Roald recalled in Boy, a tremendous diary-writer. “I still have one of his many notebooks from the Great War of 1914-18. Every single day during those five war years he would write several pages of comment and observation about the events of the time.”
Roald himself kept a secret diary from the age of eight. “To make sure that none of my sisters got hold of it and read it, I used to put it in a waterproof tin box tied to a branch at the very top of an enormous conker tree in our garden. I knew they couldn’t climb up there. Then every day I would go up myself and get it out and sit in the tree and make the entries for the day.”
Roald’s parents seem to have instilled in him a number of character traits. In Boy, he talks of his father’s interest in “lovely paintings and fine furniture” as well as gardening. In spite of only having one arm, he was also a fine woodcarver. Paintings, furniture and gardening would all be passions of the adult Roald Dahl. Similarly, remembering his mother, in Roald Dahl’s Cookbook, he recalls “she had a crystal-clear intellect and a deep interest in almost everything under the sun, from horticulture to cooking to wine to literature to paintings to furniture to birds and dogs and other animals.” Roald might very well have been describing his adult self.
Roald had an unhappy time at school. From the age of seven to nine, he attended Llandaff Cathedral School. His chief memories of this time, as described in Boy, are of trips to the sweet shop. The seeds of Charlie and the Chocolate Factory were already being sown as young Roald and his four friends lingered outside the shop window, gazing in at the big glass jars of sweets and pondering such questions as how Gobstoppers change colour and whether rats might be turned into liquorice. Sherbert suckers were one of Roald’s favourites – “Each Sucker consisted of a yellow cardboard tube filled with sherbert powder, and there was a hollow liquorice straw sticking out of it… You sucked the sherbert up through the straw and when it was finished you ate the liqourice… The sherbet fizzed in your mouth, and if you knew how to do it, you could make white froth come out of your nostrils and pretend you were throwing a fit.”
Boarding at St. Peter’s prep school in Weston-Super-Mare, from 1925-9, proved less of a sweet experience for Roald. He was just nine years old when he arrived at St. Peters and had to contend with the twitching Latin Master Captain Hardcastle, the all-powerful Matron - a dead ringer for Miss Trunchball, who “disliked small boys very much indeed” and the cane-wielding Headmaster. Not surprisingly, Roald suffered from acute homesickness. At St. Peter’s, Roald got into the habit of writing to his mother once a week. He continued to do so until her death 32 years later. Later, when his own children went to boarding school, Roald wrote to them twice a week to brighten up the drudgery of their school days.
Roald was thirteen when he started at Repton, a famous public school in Derbyshire. He excelled at sports, particularly heavyweight boxing and squash, but was deemed by his English master to be “quite incapable of marshalling his thoughts on paper”. Whatever else he was forced to endure, there was one huge advantage to going to Repton. The school was close to Cadbury’s, one of England’s most famous chocolate factories and one which regularly involved the schoolboys in testing new varieties of chocolate bars.
Dahl’s unhappy time at school was to greatly influence his writing. He once said that what distinguished him from most other children’s writers was “this business of remembering what it was like to be young.” Roald’s childhood and schooldays are the subject of his autobiography Boy. WAR and ADVENTURE
At 18, rather than going to university, Roald joined the Public Schools Exploring Society’s expedition to Newfoundland. He then started work for Shell as a salesman in Dar es Salaam. He was 23 when war broke out and signed up with the Royal Air Force in Nairobi. At first, the station doctor balked at his height (6ft 6in or 2 metres) but he was accepted as a pilot officer and was trained on the birdplane Gladiator fighters, mainly in Iraq. He then flew to join his squadron in the Western Desert of Libya but crashed en-route.
Dahl’s exploits in the war are detailed in his autobiography Going Solo. They include having a luger pointed at his head by the leader of a German convoy, crashlanding in no-man’s land (and sustaining injuries that entailed having his nose pulled out and shaped!) and even surviving a direct hit during the Battle of Athens, when he was sufficiently recovered to fly again – this time in Hurricanes. Eventually, he was sent home as an invalid but transferred, in 1942, to Washington as an air attaché. It was there that he would meet an important writer who would set him on the path to a new career.
THE FIRST CHAPTER: ROALD BEGINS TO WRITE
In 1942, during his time in Washington, C S Forester, author of Captain Hornblower, took Roald to lunch. Forester was in America to publicise the British war effort and hoped Roald would describe his version of the war, which Forester would write up for the Saturday Evening Post. Roald chose to write down his experiences. Ten days after receiving the account, Forester wrote back “Did you know you were a writer? I haven’t changed a word.” He enclosed a cheque for $900 from the Post. The piece appeared anonymously in August 1942 under the title “Shot Down Over Libya”. Roald’s career as a writer was underway.
Roald Dahl’s first book for children was not, as many suppose, James and the Giant Peach but The Gremlins, a picture book published in 1943 and adapted from a script written for Disney. Walt Disney had invited the 25 year-old Roald to Hollywood, given him the use of a car and put him up at the Beverly Hills Hotel. The story of The Gremlins focused on the mischievous spirits that, according to RAF legend, cause aircraft-engine failures. In the end, the project to make a movie version was abandoned but the book was published. Roald was never very keen on The Gremlins and didn’t really think of it as a children’s book. Nevertheless, it caught Eleanor Roosevelt’s eye and Roald became a not infrequent guest at th
Table of Contents
Ah, Sweet Mystery of Life Preface
Ah, Sweet Mystery of Life
The Champion of the World