Synopses & Reviews
Increased interest in the role of women and minorities in establishing the canon of American literature has led to renewed interest in Uncle Tom's Cabin. The essays in this volume set out to provide contemporary readers with a critical and historical interpretation of the novel that reflects the best of recent scholarship. In his introduction Eric J. Sundquist attempts to show that Uncle Tom's Cabin boldly takes issue with both proslavery arguments and prevailing prejudices among abolitionists, employing the forms of popular melodrama and heated rhetoric to carry its complex argument. The individual essays examine the influence of Stowe's novel on the characterization of women in the American novel and on later women writers, the role of women in the antislavery movement, the literary exchanges between Stowe and her contemporaries; Uncle Tom's Cabin and the tradition of the Gothic novel, and the characterizations of blacks in this novel and in later works.
This volume provides contemporary readers with a critical and historical interpretation of the novel that reflects the best of recent scholarship.
A critical and historical interpretation of Uncle Tom's Cabin, reflecting the best of recent scholarship.
An examination of Stowe's treatment of women, blacks and slavery issues within the novel reveals her disapproval of the prevailing prejudices of abolitionists as well as slavery.
Table of Contents
1. Introduction Eric J. Sundquist; 2. Strategies of black characterization in Uncle Tom's Cabin and the early Afro-American novel Richard Yarborough; 3. Doing it herself: Uncle Tom's Cabin and woman's role in the slavery crisis Jean Fagan Yellin; 4. Gothic imagination and social reform: the haunted houses of Lyman Beecher, Henry Ward Beecher, and Harriet Beecher Stowe Karen Halttunen; 5. Sharing the thunder: the literary exchanges of Harriet Beecher Stowe, Henry Bibb, and Frederick Douglass Robert B. Stepto; 6. Stowe's dream of the mother-saviour: Uncle Tom's Cabin and American women writers before the 1920s Elizabeth Ammons.