McCracken's epigraph to her stunning second novel, Niagara Falls All
, is a line from Atoll K
, Oliver Hardy and Stan Laurel's
last movie, made in 1950. Hardy says to Laurel, "Haven't I always taken care
of you? You're the first one I think of." This line, in its poignant simplicity,
is the echo heard throughout Niagara Falls
, as comedy team Carter and
Sharp traverse ten years of vaudeville, move on to radio and Broadway, and finally
graduate to making movies in Hollywood. Narrator Mose Carter is the straight
man to Rocky Sharp a lean, pragmatic Abbott to Sharp's bumbling, plump
Costello. Their path to success is littered, inevitably, with tragedy, but McCracken
traces this frequently problematic relationship with her customary inventiveness,
sharp wit, and delicate heart. McCracken has always displayed a keen eye for
mismatched love stories. Her first novel, The
, and her collection of stories, Here's
Your Hat, What's Your Hurry?
, open the reader up to the vagaries and truths
behind some of the oddest couplings. Niagara Falls All Over Again
fabulous entertainment, for McCracken drives an action-packed plot with the
power of a locomotive. But it is her human portraits and the way she paints
the pain and pleasure of relationships that show her for the master she is.
McCracken is a beautiful writer. Her characters are sympathetic because she
translates human frailty with such honesty that we have no choice but to recognize
the same qualities in ourselves. Georgie, Powells.com
Synopses & Reviews
By turns graceful and knowing, funny and moving, Niagara Falls All Over Again is the latest masterwork by National Book Award finalist and
"[E]nchantingly detailed and immensely appealing....The show-biz atmosphere is re-created with great skill....A career-making book that bears interesting comparison with both Philip Roth's I Married a Communist and Michael Chabon's The Amazing Adventures of Kavalier and Clay. This one is going places." Kirkus Reviews
About the Author
Elizabeth McCracken is the recipient of the Harold Vursell Award from the American Academy of Arts and Letters and has received grants from the Guggenheim Foundation, the Michener Foundation, the Fine Arts Work Center in Provincetown, and the National Endowment for the Arts. She was also honored as one of Granta's 20 Best American Writers Under 40. In addition to The Giants House, she is the author of Heres Your Hat, Whats Your Hurry.
Reading Group Guide
1. What are your first impressions of Carter and Sharp? Did those first impressions prove to be accurate?
2. Does Mose's approach change when he's telling a story about his childhood in Iowa, compared with tales from showbiz? How does he balance the comic and tragic elements of his recollections? What tone is set by the scene titles?
3. What accounts for the special bond that developed between Hattie and Mose? What does her roof climbing indicate about her nature? How do you respond to the provocative "what if" that accompanies her death? What might Mose's life have been like if she had not died at such a young age and in such a sudden way?
4. How is Mose affected by his memories of his mother and of Hattie? How does he perceive women throughout his life? What qualities set Jessica apart and signal the end of his bachelor days? What distinguishes his love for her from Rocky's love for Penny?
5. What do the Sharp children demonstrate about innate talents versus other factors in shaping a life? Besides taking the helm of his father's store, what responsibilities are placed on Mose as the only son among daughters Annie, Ida, Fannie, Sadie, Hattie, and Rose?
6. Part of the shtick between Carter and Sharp involves hitting: Mose has to continually lose patience with Rocky, then hit him. Why is this a key ingredient to their popularity? Does any of their stage relationship match offstage reality?
7. Mose fills a variety of roles: prodigal son, "professor," playboy, big-city star, midwestern boy. What parts of his life are genuine? Who gets to see the side of him that is not an act? How much of his act is necessary for his survival?
8. To Mose, how significant is Judaism to his identity? Would the beloved rabbi of his ancestry be proud of him? How did anti-Semitism influence Mose's sense of his place in the world?
9. In "Niagara Falls the First Time" (page 91) Mose talks Rocky out of going over the falls in a barrel. What makes this scene appropriate for the novel's title? In what way does this scene replay throughout the characters' lives?
10. What do you believe accounts for the differences in temperament between Carter and Sharp? Why do they make such dissimilar choices? What enables them to remain together for so many years despite these differences? How do these differences make for good comedy? Do those same traits also make for an enduring friendship?
11. Money is a source of friction between Carter and Sharp. Would you have agreed to Rocky's terms if you have been in Mose's position? How might the novel have unfolded if Tansy had been the narrator?
12. Chapter Five, "Good-bye, Freddy, Good-bye," provides more details about Rocky's original sidekick, Fred Fabian. Was Mose the key to Rocky's success, or was he simply in the right place at the right time?
13. The drowning of Jessica and Mose's daughter almost ends their marriage. Following wise advice, Mose manages to reach out to Jessica and restore their relationship. He also rekindles his friendship with Rocky. What keeps him from making that friendship last permanently? What must be in place in order for two people to weather a tragedy together?
14. When Mose returns to Iowa with Rocky in tow, how does his hometown measure up to his memories of it? At that point in his life, where is he really most at home? How does Mose define home near the end of the novel?
15. Discuss the techniques Elizabeth McCracken uses to deliver the experience of seeing Carter and Sharp perform. What enables her writing to become "cinematic?" For the audiences described in the novel, how would the experience of a live show compare to one broadcast on the radio or projected on film? How do these entertainment media compare to the experience of reading books for pleasure?
16. If you were to be featured on a reunion television show like the one that reunited Carter and Sharp, which figures from your past would you want to see? Which ones would you dread seeing? What myth would you want to dispel, as Rocky did when he explained that Carter and Sharp had broken up?
17. Does Junior have an accurate understanding of his father? What was your reaction to Mose's sleeping with Penny? Was that truly the basis for Rocky's long-standing anger?
18. Mose becomes a widower and outlives most of his relatives, while Rocky ends up in Reno with Gertrude. How does this bittersweet ending compare with what you know about other Hollywood duos and the ways in which they concluded their careers?
19. Are there any 21st-century equivalents to vaudeville? What did the novel illustrate about the way American entertainment has evolved? What does it take to make a contemporary audience laugh?