Synopses & Reviews
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
Said shows how the approaching death of an artist can make its way into his work, examining essays, poems, novels, films, and operas by such artists as Beethoven, Genet, Mozart, Lampedusa, Euripides, Cavafy, and Mann, among others. He uncovers the conflicts and complexity that often distinguish artistic lateness, resulting in works that stood in direct contrast to what was popular at the time and were forerunners of what was to come in each artist's discipline–works of true genius. Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said's own great last work.
In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way "with anachronism and anomaly" into his work. Eloquent and impassioned, brilliantly reasoned and revelatory, ON LATE STYLE is Edward Said's own great last work.
About the Author
Edward W. Said was University Professor of English and Comparative Literature at Columbia University. He was the author of more than twenty books, including Orientalism, which was nominated for the National Book Critics Circle Award; Culture and Imperialism; Representations of the Intellectual; The End of the Peace Process; Power, Politics, and Culture; and Out of Place: A Memoir. His books have been published in thirty-six languages. He died in 2003.