Synopses & Reviews
"It was 1965 going on '66, a dry year, and on the radio we kept hearing about brush fires out of control in the foothills of the San Gabriel Mountains. A few times we heard the fires burned so close to yards and houses that the people who lived there had to abandon their homes and wait it out in one church or another. And though the fires seemed far away, they were close. Close enough that in the right wind we could smell brush burning. Close enough that on Saturdays when my father wanted to see how I handled a car, he had me drive him toward Azusa, where we could view the range of charred hills."
Thus Maggie's story begins, against the ominous backdrop of burning hills, the Vietnam War, and huge social upheaval looming on the horizon. In many ways Maggie's is a familiar predicament - a 16-year old girl gets pregnant, her boyfriend goes off to war, and getting married is not in the cards. But "The Orphan Game" is a finely nuanced, beautifully wrought tale, and while the premise may sound simple, the novel itself is as richly complicated as life itself.
Much of "The Orphan Game" revolves around the themes of sex, individuality, and family. The novel's protagonist, Maggie, muses about sex endlessly - what she likes about it, what she doesn't, and what she doesn't understand. She likes the legitimacy and attention that having an older boyfriend gives her, and constantly worries about what her life without him might be like. She understands that to be a girl who "does it, does it, does it" marginalizes her in some important way, but she's not exactly sure why. She slips Bruce's school ring on her wedding finger when her parents aren't around, though she isn't certainshe would really want to marry him. It's a complex and changing world that Maggie inhabits in 1965 and, like her parents, she feels the tug of both the liberalism and the conservatism of the times.
Maggie's parents are baffled by their daughter's budding sexuality. When her father voices his displeasure about Maggie's relationship with Bruce, he sexualizes the conversation, using blunt terms in an unflattering, degrading way. He feels acutely his inability to control his daughter's behavior and is concerned about the negative image Maggie could cast on the family because of her relationship with Bruce. But Jim is unaware that trying to verbally humiliate Maggie into submission only erodes her self-confidence and pushes her toward, rather than away from, Bruce. Maggie's mother, on the other hand, is paralyzed by the subject of sex, emotionally unable to offer her any insight into her daughter's predicament, though at times she wishes she could. When Marian discovers Maggie is pregnant, she finds herself in the double bind of wanting to help but lacking the courage to do so.
It is ultimately Maggie's Aunt, Evelyn Rumsen, who shows the way into a world where intimacy, sex, and self-acceptance are all linked. She offers the friendship and support Maggie will need to navigate the contrary forces of her world and undergo the difficult transformation, told so compellingly in "The Orphan Game," from girl to woman.
Topics for Discussion
1. Sandra Scofield observed that everyone in "The Orphan Game" must "learn the difference between wanting and striving" and that "longing is a palpable presence" in the novel. What kinds of longings motivate Maggie? Jim? Marian? Mrs. Rumsen? Whomdo you feel suffers the most trying to learn the difference between wanting and striving? Is there anyone you feel does not learn the difference?
2. How does the title illuminate the themes of the novel? Is there a character that never seems to feel orphaned in the midst of family? What are some other interpretations of the title's meaning?
3. "The Orphan Game" is rich with metaphors that involve driving; indeed, the turning point of the novel occurs because of a car accident. What do the driving scenes with Maggie and her father come to signify? Is there any foreshadowing of what will happen to Jamie? What does Maggie mean when she says, "My father had faith in roads, that's what I believe. He revered freeways"?
4. The narrative is told largely from Maggie's point of view, with contributions from Mrs. Rumsen, Maggie's mother, and briefly, Jamie and Allison. How does Darby distinguish their voices? What effect does the lack of narration from Jim have on the story? Maggie's voice matures considerably over the course of the novel. How does the author distinguish young Maggie's voice from the older, more experienced Maggie?
5. Mrs. Rumsen's character could be described as the happiest in the story. Do you agree? What sets her apart her from the others in the story? What do you feel is the significance of her love to dance? Though we never meet John Rumsen in the first person, how does Darby characterize him?
6. How does the setting - a quiet Southern California town in 1965 - enhance the story that is told? What about the significance of the Vietnam war being fought in the background? Is there metaphorical significance to the brush fires threatening the Californiafoothills and the fact that Mrs. Rumsen's house is the final destination they destroy?
7. How does "The Orphan Game" explore, through Maggie's pregnancy, radical changes in women's sexuality, motherhood, and the nuclear family? Has Maggie's pregnancy liberated her in some ways?
8. There are a number of crucial points where Maggie's father could have changed the course of events had he acted differently. What about his character makes him so dangerous to himself and those around him? What about Maggie's mother?
9. What is Darby trying to suggest by making Jamie's death so sudden and unexpected? Why do you think Maggie intermittently speaks of her "opponent" and Jamie in the scene after his funeral?
10. Ownership is a recurring theme in "The Orphan Game." In what ways do we see this theme played out? Is Maggie's mother as enthralled with ownership as her father? Is it significant that Mrs. Rumsen is the least concerned with possessions, and that the loss of them in the fire does not seem to bother her at all?
This rueful debut novel is told in the intertwined voices of three women: Maggie, the young woman struggling to define herself; Marian, the mother who must relinquish her; and Mrs. Rumsen, the childless great-aunt who cares for Maggie when her mother can't.
Beautifully written, wonderfully observed, and
deeply felt, Ann Darby's haunting first novel
marks the debut of an important voice
in women's fiction.
The Orphan Game tells the story of a young woman's passage from the troubled family she's longing to escape to the "family" she struggles to create when she is forced into an early adulthood.
As the war in Vietnam escalates and as brush fires are blackening the California foothills, the Harris family shatters and its members are driven to find new ways to live with one another. With an intimacy immediate and true, The Orphan Game portrays the powerful love that not only can bind a family, but can also break it apart.
Set in a quiet Southern California town in 1965, a town where the rules of the fifties haven't quite departed and the new mores of the sixties are fast encroaching, this rueful tale is told in the intertwined voices of three women: Maggie, the young woman struggling to define herself; Marian, the mother who must relinquish her; and Mrs. Rumsen, the childless great-aunt who cares for Maggie when her mother can't. As each woman tells her tale, it becomes clear that each has, in her own way, played the orphan game--taken the risk to leave home, to claim her life, and, above all, to be loved.
About the Author
Ann Darby's short fiction has appeared in the Northwest Review, The Malahat Review,and The Best of Story Quarterly, among other journals. Her work has been nominated for the Pushcart and Henfield prizes and has won the Bennett Cerf Prize for fiction. Raised in Southern California, she now lives in New York City. This is her first novel.