Synopses & Reviews
A deeply evocative story of ambition and betrayal, The Paris Wife
captures the love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness — until she meets Ernest Hemingway. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group — the fabled “Lost Generation” — that includes Gertrude Stein, Ezra Pound, and F. Scott Fitzgerald.
Though deeply in love, the Hemingways are ill prepared for the hard-drinking, fast-living, and free-loving life of Jazz Age Paris. As Ernest struggles to find the voice that will earn him a place in history and pours himself into the novel that will become The Sun Also Rises, Hadley strives to hold on to her sense of self as her roles as wife, friend, and muse become more challenging. Eventually they find themselves facing the ultimate crisis of their marriage — a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.
NEW YORK TIMES BESTSELLER
WINNER — BEST HISTORICAL FICTION — GOODREADS CHOICE AWARDS
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
“A beautiful portrait of being in Paris in the glittering 1920s — as a wife and as one’s own woman.” Entertainment Weekly
“[Paula] McLain has brought Hadley [Hemingway] to life in a novel that begins in a rush of early love....A moving portrait of a woman slighted by history, a woman whose...story needed to be told.” The Boston Globe
“The Paris Wife creates the kind of out-of-body reading experience that dedicated book lovers yearn for, nearly as good as reading Hemingway for the first time — and it doesn’t get much better than that.” Minneapolis Star Tribune
“Exquisitely evocative....This absorbing, illuminating book gives us an intimate view of a sympathetic and perceptive woman, the striving writer she married, the glittering and wounding Paris circle they were part of....McLain reinvents the story of Hadley and Ernest’s romance with the lucid grace of a practiced poet.” The Seattle Times
“A novel that’s impossible to resist. It’s all here, and it all feels real.” People
An instant national bestseller, this stunningly evocative, beautifully rendered story told in the voice of Ernest Hemingway's first wife, Hadley, has the same power and historical richness that made Loving Frank
No twentieth-century American writer has captured the popular imagination as much as Ernest Hemingway. This novel tells his story from a unique point of view — that of his first wife, Hadley. Through her eyes and voice, we experience Paris of the Lost Generation and meet fascinating characters such as Scott and Zelda Fitzgerald, Gertrude Stein, Ezra Pound, and Gerald and Sara Murphy. The city and its inhabitants provide a vivid backdrop to this engrossing and wrenching story of love and betrayal that is made all the more poignant knowing that, in the end, Hemingway would write of his first wife, "I wish I had died before I loved anyone but her."
About the Author
Paula McLain received her M.F.A. in poetry from the University of Michigan and has been awarded fellowships from Yaddo, the MacDowell Colony, and the National Endowment for the Arts. She is the author of two collections of poetry; a memoir, Like Family: Growing Up in Other People’s Houses; and a first novel, A Ticket to Ride. She lives in Cleveland with her family.
Reading Group Guide
1. In many ways, Hadley’s girlhood in St. Louis was a difficult and repressive experience. How do her early years prepare her to meet and fall in love with Ernest? What does life with Ernest offer her that she hasn’t encountered before? What are the risks?
2. Hadley and Ernest don’t get a lot of encouragement from their friends and family when they decide to marry. What seems to draw the two together? What are some of the strengths of their initial attraction and partnership? The challenges?
3. The Ernest Hemingway we meet in The Paris Wife—through Hadley’s eyes—is in many ways different from the ways we imagine him when faced with the largeness of his later persona. What do you see as his character strengths? Can you see what Hadley saw in him?
4. Throughout The Paris Wife, Hadley refers to herself as “Victorian” as opposed to “modern.” What are some of the ways she doesn’t feel like she fits into life in bohemian Paris? How does this impact her relationship with Ernest? Her self-esteem? What are some of the ways Hadley’s “old-fashioned” quality can be seen as a strength and not a weakness?
5. Hadley and Ernest’s marriage survived for many years in Jazz-Age Paris, an environment that had very little patience for monogamy and other traditional values. What in their relationship seems to sustain them? How does their marriage differ from those around them? Pound and Shakespear’s? Scott and Zelda’s?
6. Most of The Paris Wife is written in Hadley’s voice, but a few select passages come to us from Ernest’s point of view. What impact does getting Ernest’s perspective have on our understanding of their marriage? How does it affect your ability to understand him and his motivations in general?
7. How is Hadley challenged and restricted by her gender? Would those restrictions have changed if she had been an artist and not “merely” a wife?
8. One of the most wrenching scenes in the book is when Hadley loses a valise containing all of Ernest’s work to date. What kind of turning point does this mark for the Hemingway’s marriage? Do you think Ernest ever forgives her?
9. Hadley and Ernest had similar upbringings in many ways. What are the parallels, and how do these affect the choices Hadley makes as a wife and mother?
10. In The Paris Wife, when Ernest receives his contract for In Our Time, Hadley says, “He would never again be unknown. We would never again be this happy" (page 195). How did fame affect Ernest and his relationship with Hadley?
11. How does the time and place—Paris in the twenties—affect Ernest and Hadley’s marriage? What impact does the war, for instance, have on the choices and behavior of the expatriate artists surrounding the Hemingways? Do you see Ernest changing in response to the world around him? How, and how does Hadley feel about those changes?
12. What was the nature of the relationship between Hadley and Pauline Pfeiffer? Were they legitimately friends? How do you see Pauline taking advantage of her intimate position in the Hemingways’ life? Do you think Hadley is naïve for not suspecting Pauline of having designs on Ernest earlier? Why or why not?
13. It seems as if Ernest tries to make his marriage work even after Pauline arrives on the scene. What would it have cost Hadley to stick it out with Ernest no matter what? Is there a way she could have fought harder for her marriage?
14. In many ways, Hadley is a very different person at the end of the novel than the girl she was when she first encountered Ernest by chance at a party. How do you understand her trajectory and transformation? Are there any ways she essentially doesn’t change?
15. When Hemingway’s biographer Carlos Baker interviewed Hadley Richardson near the end of her life, he expected her to be bitter, and yet she persisted in describing Ernest as a “prince.” How can she have continued to love and admire him after the way he hurt her?
16. Ernest Hemingway spent the last months of his life tenderly reliving his first marriage in the pages his memoir, A Moveable Feast. In fact, it was the last thing he wrote before his death. Do you think he realized what he’d truly lost with Hadley?