Synopses & Reviews
In a career that spanned sixty years, Paul Whiteman changed the landscape of American music, beginning with his million-selling recordings in the early 1920s of Whispering, Japanese Sandman, and Three O Clock in the Morning. Whiteman would then introduce symphonic jazz, a powerful blend of the classical and jazz idioms that represented a whole new approach to modern American music, influencing generations of bandleaders and composers. While some hold that at the close of the Roaring Twenties Whiteman s musical hegemony quickly waned, Don Rayno illustrates in this second volume of Paul Whiteman: Pioneer in American Music how much of a dominant figure Whiteman remained. A major figure on the American music scene for decades to come, he would continue to lead critically-acclaimed orchestras, filling theaters and concert halls alike and diligently seeking out and nurturing musical talent on the largest scale of any orchestra leader in the twentieth century. In this second volume of Rayno s magisterial treatment of the life and music of this remarkable maestro, Whiteman s career during the second half of his life is explored in the fullest detail, both humanly and musically, as Whiteman, who became to his contemporaries the Dean of American Music, conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman s considerable accomplishments and far-reaching influence. This second volume in the story of Whiteman s life and career will stimulate the interest of devotees and scholars of jazz, swing, and popular music, and as well, students of popular culture.
Synopsis
When Paul Whiteman, the best-known dance band leader of the flapper age, brought his entourage to town it was a big deal. Mayors met him at the train station and presented him with the key to the city, parades and throngs of cheering crowds escorted him to City Hall, and special luncheons were held in his honor. Eventually dubbed the King of Jazz, Whiteman grew into one of the biggest promoters of players, singers, and arrangers of all times. Many well-known musicians got their first big boost in his band including Tommy and Jimmy Dorsey, Bing Crosby, Frank Trumbauer, Bix Beiderbecke, Johnny Mercer, Mildred Bailey, and Ferde Grofe. When it came to jazz, Whiteman was a trailblazer. He invented symphonic jazz and gave the first performance of Gershwin's Rhapsody in Blue, one of the most enduringly popular of all jazz-influenced musical works of the 20th century. He perfected the one-nighter concert tours, traveling across the country by train, from city to city, with his unique brand of music. He was also the first to employ a special arranger to craft tailor-made charts to fit the Whiteman Orchestra's instrumentation and sound. This is the first of a two-volume set that will serve as the definitive work on the life and music of this legendary jazz leader. Covering the early years from 1890 to 1930, the text will entertain and inform the reader about the exciting life of one of the major influencers of jazz music and also provide a nostalgic glimpse of what life was like during the Roaring Twenties. Features: . Day-by-day chronology 1890-1930 . Comprehensive discography of recordings 1920-1930 . Gallery of Whiteman's band members-alphabetical listing from 1918 to 1930 (includes birth and death dates) . Detailed reference notes with biographical sketches of famous people . Extensive bibliography and index, including index of songs . Nearly 60 rare, black and white photos
Synopsis
In this second volume of Rayno's magisterial treatment of the life and music of this remarkable maestro, Whiteman's career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music's most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman's considerable accomplishments and far-reaching influence.