Synopses & Reviews
Fredrich Schlegel has long been recognized as the central force behind the early German Romantic movement. Schlegel first defined and coined the term “Romantic” in the present sense, employing a fragmentary yet forceful tone to proclaim the doctrine that became recognized as a philosophical position distinct from Idealism (Hegel) or the poetics of poetry (Holderlin) and ultimately ushered in the modern age in literature. At a time when the function of criticism is again coming under close skeptical scrutiny, Schlegel's unorthodox, highly original mind, as revealed in these foundational "fragments," provides the critical framework for reflecting on contemporary experimental texts.
Synopsis
Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.
Synopsis
Philosophical Fragments was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
At a time when the function of criticism is again coming under close skeptical scrutiny, Schlegel's unorthodox, highly original mind, as revealed in these foundational "fragments," provides the critical framework for reflecting on contemporary experimental texts.
About the Author
Rodolphe Gasche Distinguished Professor & Eugenio Donato Professor of Comparative Literature at State University of New York at Buffalo. He is the author of The Tain of the Mirror (1988).