Excerpt
andlt;bandgt;Chapter 12 andlt;BRandgt;Ancestors, Dual Arms, and the Concept of the Embrace andlt;/bandgt; andlt;BRandgt; andlt;BRandgt;One of the enigmas we find at Gobekli Tepe are various anthropomorphized features, such as the long arms with hands and stylized belts that are carved in relief on the megalithic pillars. Pillars with these features are surmised to have represented ancestors, a term that is associated in our cosmology with ancient teachers, and a word that has cosmological significance in each of the ancient cultures weand#8217;ve studied. andlt;BRandgt; andlt;BRandgt;Our first impulse when looking at the carved arms at Gobekli Tepe was that they might have been meant to convey the concept of dualism, similar to Budgeand#8217;s interpreted meaning for the dual-arm glyph that he pronounces andlt;iandgt;kaandlt;/iandgt;. From a cosmological standpoint this interpretation seems sensible, because dualism is defined as a principle of creation. However, several other themes we have explored in relation to Gobekli Tepe suggest the likelihood of another interpretation. andlt;BRandgt; andlt;BRandgt;Perhaps the first overt clue to this interpretation is provided by an Egyptian word andlt;iandgt;skhen-tandlt;/iandgt; that means and#8220;pillar, support.and#8221; The pillar is cited by Francesco Brighenti as having symbolized the Earth mother Tana Penu and so calls to mind both the Sakta goddesses and the Gobekli Tepe structures. We relate this term phonetically to the Egyptian word andlt;iandgt;skhenandlt;/iandgt;, meaning and#8220;to fold in the arms, to embrace, to contain, to hold.and#8221; andlt;BRandgt; andlt;BRandgt;Symbolically this word reads and#8220;to bind with the source of waves,and#8221; followed by the image of a clay pot that is situated between two dual arms. The clay pot image, in combination with an image of waves, suggests a possible association with a potbelly, a clay pot filled with water that also represented the Sakta Earth goddess. Additionally, a pillar calls to mind a mythical theme of creation expressed by many ancient traditions in which the Earth was said to have been separated from the sky by the placement of four pillars at the cardinal points of east, west, north, and south. This theme seems to be reflected in an Egyptian word andlt;iandgt;skhenutandlt;/iandgt;, which Budge says refers to and#8220;the four pillars of the sky.and#8221; andlt;BRandgt; andlt;BRandgt;In light of these widely varying references, we suggest that the dual arms pictured on the Gobekli Tepe pillars were meant to convey the concept of an embrace between the nonmaterial and material universes. An embrace would constitute the tangible act of and#8220;grasping and holding firmand#8221; that we associate symbolically with creator deities in our tradition. The same concept could also relate to the admittedly less huggable grasping action of the claws of a bird of prey such as a vulture, birds that also associate symbolically with the earliest creator deities. andlt;BRandgt; andlt;BRandgt;Looked at from this viewpoint, Budge defines a word aa-t that means and#8220;she who embraces.and#8221; Based on our interpretive outlook, this word reads and#8220;that which comes to Earthand#8221; and defines the dual arms/hands glyph. andlt;BRandgt; andlt;BRandgt;We know that the Egyptian concept of an embrace is one that relates symbolically to the processes of matter and, more specifically, to Dogon concepts of the universe and the egg-of-the-world, which is said to and#8220;wrap aroundand#8221; or and#8220;encloseand#8221; seeds of matter. Budge lists a word andlt;iandgt;anhandlt;/iandgt; that means and#8220;to surround, to enclose, to embrace, to wrap around.and#8221; Symbolically the glyphs of this word read and#8220;that by which the fish weaves the universe and the egg-of-the-world,and#8221; followed by the particle glyph. A second word, andlt;iandgt;anqandlt;/iandgt;, means and#8220;to embrace, to gather together, to gird around.and#8221; Symbolically it reads and#8220;that by which the fish weaves mass.and#8221; andlt;BRandgt; andlt;BRandgt;Another Egyptian word andlt;iandgt;haptandlt;/iandgt;, meaning and#8220;to embrace,and#8221; seems to symbolically link the concept to a sense of kindredness between the twin universes. One particular spelling that Budge relates to this word is written with the twisted rope glyph that in our view resembles the figure of Ammaand#8217;s universes. Symbolically, this word reads and#8220;two universes (non-material and material) embrace.and#8221; andlt;BRandgt; andlt;BRandgt;There is another set of interesting Egyptian words meaning and#8220;embrace, hugand#8221; that are based on the term andlt;iandgt;qenaandlt;/iandgt; and whose symbolic meanings seem to relate directly to our Sakta Earth goddess and the feminine energy that relates to the Sakti tradition. This word for and#8220;embraceand#8221; is a homonym for the word andlt;iandgt;qenaandlt;/iandgt;, which refers to a and#8220;bearing pole, litter, portable shrine.and#8221; The meaning of and#8220;portable shrineand#8221; is also of particular interest to us in relation to this discussion because, due to their esoteric nature and the need for secrecy, figures of the Embracing Kangi were traditionally housed in portable shrines. The notion of a portable shrine calls to mind the Mongolian yurt, a kind of mobile stupa. andlt;BRandgt; andlt;BRandgt;The and#8220;bearing poleand#8221; definition is also of interest because we know that the pole was an archaic symbol of the the Sakta goddesses. These words are based on the phonetic root andlt;iandgt;qenandlt;/iandgt;, which means and#8220;to be strong, to make strong, to fortify, to have power over, to overcome, to conquer, to be master of,and#8221; which from the perspective of feminine energy seems comparable to our modern notion of a Queen. andlt;BRandgt; andlt;BRandgt;Together, these words and symbols would seem to associate the concept of an embrace--which some would consider to be the warmest, most welcoming, sincere, and personal of gestures--with quite a number of the central themes of our creation plan. An embrace is an action conducted in the human domain that effectively conveys the notion of grasping and holding firm, a phrase that is a hallmark of creator deities in our cosmologies such as Amma and Amen. In the Egyptian hieroglyphic dictionary we find the definition of an embrace given in relation to phonetic roots that refer to ancestors, the ancient teachers credited with having brought instructed civilizing skills to humanity. We also see the concept of an embrace depicted prominently at Gobekli Tepe on megalithic pillars that are believed to symbolize those same ancestors.