Synopses & Reviews
There are a surprising number of stories from antiquity about people who fall in love with statues or paintings, and about lovers who use such visual representations as substitutes for an absent beloved. In a charmingly conversational, witty meditation on this literary theme, Maurizio Bettini moves into a wide-ranging consideration of the relationship between self and image, the nature of love in the ancient world, the role of representation in culture, and more. Drawing on historical events and cultural practices as well as literary works,
The Portrait of the Lover is a lucid excursion into the anthropology of the image.
The majority of the stories and poems Bettini examines come from Greek and Roman classical antiquity, but he reaches as far as Petrarch, Da Ponte, and Poe. The stories themselvesand#151;ranging from the impassioned to the bizarre, and from the sublime to the hilariousand#151;serve as touchstones for Bettini's evocative explorations of the role of representation in literature and in culture. Although he begins with a consideration of lovers' portraits, Bettini soon broadens his concerns to include the role of shadows, dreams, commemorative statues, statues brought to life, and vengeful statuesand#151;in short, an entire range of images that take on a life of their own.
The chapters shift skillfully from one theme to another, touching on the nature of desire, loss, memory, and death. Bettini brings to the discussion of these tales not only a broad learning about cultures but also a delighted sense of wonder and admiration for the evocative power and endless variety of the stories themselves.
Review
andldquo;The translation of Maurizio Bettiniandrsquo;s Women and Weasels is a major event for classical studies, womenandrsquo;s studies, and animal studies. Starting from a rather obscure Greek myth linking childbirth with the weasel, Bettiniandrsquo;s remarkable erudition uncovers a lost world of human-animal relations that spans epochs and continents. Its seamless weave of folklore, mythography, anthropology, literary criticism, critical theory, and zoology is both a model of transdisciplinary achievement and an absorbing, brilliantly told tale for the everyday reader.andrdquo;and#160;
Review
andldquo;This is a book of sublime humanism, marrying investigative rigor and conspicuous compassion in a work that traces the persistent expression of an idea from archaic Greece, across classical and medieval Europe, to an early twentieth-century rural American South. That idea persists because it captures a desperation that lies at the very core of the survival-driven human speciesandmdash;the shadowed mystery and potential peril of the conception and bringing forth of one living body from another. Reading Women and Weasels, one is reminded again why Maurizio Bettini is recognized not only as one of Italyandrsquo;s leading public intellectuals but also as a scholar of uncommon sensitivity and perceptivity, supremely in touch with the life of ancient humanity.andrdquo;
Synopsis
If you told a woman her sex had a shared, long-lived history with weasels, she might deck you. But those familiar with mythology know better: that the connection between women and weasels is an ancient and favorable one, based in the Greek myth of a midwife who tricked the gods to ease Heraclesandrsquo;s birthandmdash;and was turned into a weasel by Hera as punishment. Following this story as it is retold over centuries in literature and art,and#160;Women and Weaselsand#160;takes us on a journey through mythology and ancient belief, revising our understanding of myth, heroism, and the status of women and animals in Western culture.and#160;Maurizio Bettini recounts and analyzes a variety of key literary and visual moments that highlight the weaselandrsquo;s many attributes. We learn of its legendary sexual and childbearing habits and symbolic association with witchcraft and midwifery, its role as a domestic pet favored by women, and its ability to slip in and out of tight spaces. The weasel, Bettini reveals, is present at many unexpected moments in human history, assisting women in labor and thwarting enemies who might plot their ruin. With a parade of symbolic associations between weasels and womenandmdash;witches, prostitutes, midwives, sisters-in-law, brides, mothers, and heroesandmdash;Bettini brings to life one of the most venerable and enduring myths of Western culture.
Description
Includes bibliographical references (p. 307-325) and index.
About the Author
Maurizio Bettini is professor of classical philology at the Universitandagrave; degli Studi di Siena, Italy, and a regular visiting professor in the Department of Classics at the University of California, Berkeley. He lives in Siena, Italy. Emlyn Eisenach is an independent scholar and translator and the author of Husbands, Wives, and Concubines: Marriage, Family, and Social Order in Sixteenth-Century Verona. She lives in Chicago, IL.
Table of Contents
I The Story of Alcmene Saved by the Weasel
and#160;
1 The Story
2 La Folia
3 The Woman in Labor
4 The Enemy
5 The Knots
6 The Resolution
7 The Rescuer
8 The First Identity of the Rescuer
9 Dissonance? Pliny and Birth through the Mouth
and#160;
II Animal Metaphors and Womenand#8217;s Roles
and#160;
10 The Forest of Symbols Is Full of Animals
11 The Weasel-Rescuer Is a Complicated Character
12 Wilde Frau, Savage Midwife
13 Godmother Weasel
14 An Encyclopedia without Footnotes
Conclusion: Alcmeneand#8217;s Thoughts
Notes
Index