Synopses & Reviews
Push: Based on the Novel by Sapphire, directed by Lee Daniels and written by Damien Paul
GRAND JURY PRIZE and AUDIENCE AWARD winner at the 2009 Sundance Film Festival
Relentless, remorseless, and inspirational, this "horrific, hope-filled story" (Newsday) is certain to haunt a generation of readers. Precious Jones, 16 years old and pregnant by her father with her second child, meets a determined and highly radical teacher who takes her on a journey of transformation and redemption.
"With this much anticipated first novel, told from the point of view of an illiterate, brutalized Harlem teenager, Sapphire (American Dreams), a writer affiliated with the Nuyorican poets, charts the psychic damage of the most ghettoized of inner-city inhabitants. Obese, dark-skinned, HIV-positive, bullied by her sexually abusive mother, Clareece, Precious Jones is, at the novel's outset, pregnant for the second time with her father's child. (Precious had her first daughter at 12, named Little Mongo, ""short for Mongoloid Down Sinder, which is what she is; sometimes what I feel I is. I feel so stupid sometimes. So ugly, worth nuffin."") Referred to a pilot program by an unusually solicitous principal, Precious comes under the experimental pedagogy of a lesbian miracle worker named, implausibly enough, Blue Rain. Under her angelic mentorship, Precious, who has never before experienced real nurturing, learns to voice her long suppressed feelings in a journal. As her language skills improve, she finds sustenance in writing poetry, in friendships and in support groups-one for ""insect"" survivors and one for HIV-positive teens. It is here that Sapphire falters, as her slim and harrowing novel, with its references to Harriet Tubman, Langston Hughes and The Color Purple (a parallel the author hints at again and again), becomes a conventional, albeit dark and unresolved, allegory about redemption. The ending, composed of excerpts from the journals of Precious's classmates, lends heightened realism and a wider scope to the narrative, but also gives it a quality of incompleteness. Sapphire has created a remarkable heroine in Precious, whose first-person street talk is by turns blisteringly savvy, rawly lyrical, hilariously pig-headed and wrenchingly vulnerable. Yet that voice begs to be heard in a larger novel of more depth and complexity. 150,000 first printing; first serial to the New Yorker; audio rights to Random; foreign rights sold to England, France, Germany, Holland, Portugal and Brazil." Publishers Weekly
"Sapphire somehow finds lyricism in Precious's life, and in endowing Precious with her own generous gifts for language, she allows us entree into her heroine's state of mind." The New York Times
About the Author
Sapphire is the author of American Dreams, a collection of poetry which was cited by Publishers Weekly as, "One of the strongest debut collections of the nineties." Push, her novel, won the Book-of-the-Month Club Stephen Crane award for First Fiction, the Black Caucus of the American Library Association's First Novelist Award, and, in Great Britain, the Mind Book of the Year Award. Push was named by the Village Voice and Time Out New York as one of the top ten books of 1996. Push was nominated for an NAACP Image Award in the category of Outstanding Literary Work of Fiction. About her most recent book of poetry Poet's and Writer's Magazine wrote, "With her soul on the line in each verse, her latest collection, Black Wings and Blind Angels, retains Sapphire's incendiary power to win hearts and singe minds."
Sapphire's work has appeared in The New Yorker, The New York Times Magazine, The New York Times Book Review, The Black Scholar, Spin, and Bomb. In February of 2007 Arizona State University presented PUSHing Boundaries, PUSHing Art: A Symposium on the Works of Sapphire. Sapphire's work has been translated into eleven languages and has been adapted for stage in the United States and Europe. Precious, the film adaption of her novel, recently won the Grand Jury Prize and the Audience Awards in the U.S. dramatic competition at Sundance (2009).