Synopses & Reviews
With its steel guitars, Opry stars, and honky-tonk bars, country music is an American original. The most popular music in America today, itandrsquo;s also big business. Amazing, then, that country music has been so little studied by critics, given its predominance in American culture.
Reading Country Music acknowledges the significance of country music as part of an authentic American heritage and turns a loving, critical eye toward understanding the sweep of this peculiarly American phenomenon.
Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from andquot;hard-coreandquot; to andquot;soft-shellandquot; country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Partonandrsquo;s star image; and bluegrassandrsquo;s gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Fosterandrsquo;s blackface musical, among others.
Contributors. Mary A. Bufwack, Don Cusic, Curtis W. Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang, Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal, Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble, David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe
Review
andldquo;Reading Country Music should be greeted with a proper hoe-down fiddle. . . . Whatandrsquo;s exciting about [this work] is the demonstration that cultural studies can be historical, persuasive, and on point.andrdquo;
Synopsis
Expanded edition of special SAQ issue on country music. Six new articles will be added by Jocelyn Neal on the structure of country, Cristine Kreyling on “Music Row” in Nashville, Walter Herbert on Willie Nelson and the interpretation of his m
About the Author
Cecelia Tichi is William R. Kenan Jr. Professor of English and Director of American and Southern Studies at Vanderbilt University. She is the author of High Lonesome: The American Culture of Country Music.