Synopses & Reviews
, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. A work so significant that it has the power to reconfigure our conception of American history itself, Reflections in Black demands to be included in every American family's library as an essential part of our heritage. A and Best Book of 2000, and a best gift book of 2000.
Synopsis
A curator of photography at the Smithsonian Institution has selected nearly 600 stunning images that present rich and moving glimpses of black life, from slavery to the 1990s middle-class families. 571 duotone photos. of color photos.
Synopsis
A triumphant celebration of family, endurance, spirituality, and the diverse range of the black experience over the last two centuries, Reflections in Black overturns many common ideas about black life during the last century and a half, and through its sheer power and beauty rewrites American history itself.
Reflections in Black, the first comprehensive history of black photographers, is Deborah Willis's long-awaited, groundbreaking assemblage of photographs of African American life from 1840 to the present. Willis, a curator of photography at the Smithsonian Institution, has selected nearly 600 stunning photographs, with 487 in duotone and 81 in full color, of which more than 100 images have never before been seen. As this panoramic saga unfolds, we are given rich, hugely moving glimpses of African American life, from the last generation of slaves to the urban pioneers of the great migrations of the 1920s, from rare antebellum daguerreotypes of freemen to the courtly celebrants of the Harlem Renaissance, from civil rights martyrs to postmodern photographic artists of the 1990s.
Each photograph suggests an astonishing, often spellbinding story. Augustus Washington's mid-nineteenth-century portraits of African Americans, for example, offer a window of seeming calm in an American era known largely for its upheaval. A startling suite of J. P. Ball photographs depicts, in three images, the life, death, and burial of a black man hanged for murder in the territory of Montana. Equally arresting are the twentieth-century images: from James VanDerZee's glittering shot of a Harlem couple decked out in raccoon coats, to Ellie Lee Weems's photographs of everyday African Americans in 1930sAtlanta, to Addison Scurlock's gorgeous wedding photos, to A. P. Bedou's portrait of a rapt crowd listening to Booker T. Washington, to John W. Mosely's image of a young drum majorette marching in an Elks parade in 1940s Philadelphia, to Clarissa Sligh's fascinating peeks at African Americans submitting to the deceptively mundane chores of haircuts. These images reinforce the notion that there is no single black America, but a multitude of diversity and richness.
Also in Reflections in Black are great celebrity images, including classic photographs of Frederick Douglass, Langston Hughes, Zora Neale Hurston, Dinah Washington, W. E. B. Du Bois, James Baldwin, Martin Luther King, Jr., Sarah Vaughn, Malcolm X, Muhammed Ali, James Coltrane, Mumia Abu-Jamal, and a veiled Coretta Scott King at her husband's funeral.
Reflections in Black is, finally and most powerfully, a refutation of the gross caricature of so many photographers who have, in their depiction of African Americans, continually emphasized poverty over family, despair over hope, rage over accomplishment. Exceptionally beautiful, monumentally important, Reflections in Black is not only that rare gift book that can be given on any occasion but also a work so significant that it has the power to reconfigure the imagination. It demands to be included in every American family's library as an essential part of our country's heritage.
Synopsis
"[N]othing less than an epic of Homeric proportions....Willis's magnificent gathering of images...rewrites American history."--Robin D. G. Kelley
About the Author
Deborah Willis, a MacArthur, Guggenheim, and Fletcher Fellow, is the author of Reflections in Black, Posing Beauty, Michelle Obama: The First Lady in Photographs, and the New York Times bestseller Obama: The Historic Campaign in Photographs. She is chair of the photography department and a University Professor at New York University.