Synopses & Reviews
The poems in Reunion insistently turn back toward sources: toward home and the idea of home, toward the body, and toward objects that return us to ourselves. They always surprise, moving from quantum mechanics, wildflowers, and a Bobcat driver to a woman killed by a flying deer, magma becoming rock, and an invasion of flying ants. Fleda Brown deftly unites daily frustrations and suffering with profound psychological, physical, and cosmic questions.
"The neighborly language of local exchange and local enchantment, slipknot and memory, cell-stream and the surgeon's knife, runs like springwater through the poems of Fleda Brown. So perfectly tempered are the apprehensions of metaphor, so cunning are the felicities of form—rhyming as natural as human breath!—we're tempted to think it's not art at all. Except for the radiance, which only art, and a generous mind, can make."—Linda Gregerson
"From rigorously formalist to prose-poetic, these poems, with their invariably eloquent details, are lessons in sharp observation and what it is to be a woman with a grand heart, a penetrating mind, and not least, a keen wit."—Sydney Lea, author of Ghost Pain
About the Author
Fleda Brown is Poet Laureate of Delaware, professor of English at the University of Delaware, and author of Breathing In, Breathing Out, winner of the Philip Levine Prize, and The Women Who Loved Elvis All Their Lives. Her poetry has been published in journals including Poetry, Kenyon Review, American Poetry Review, and Georgia Review. This is her sixth collection of poems.