Synopses & Reviews
Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture.
Framed in a discussion of the intellectual issues surrounding the postmodern movement, lucid essays reexamine the course of 20th-century sculpture through the work of 25 major sculptors.
Includes bibliographical references (p. 393-424) and index.
About the Author
Thomas Mcevilley is Distinguished Lecturer in Art History at Rice University, where he has been on the faculty since 1969. The author holds a Ph.D. in classical philology. In addition to Greek and Latin, he has studied Sanskrit and has taught numerous courses in Greek and Indian culture, history of religion and philosophy, and art. He has published countless scholarly monographs and articles in various journals on early Greek poetry, philosophy, and religion as well as on contemporary art and culture. He has been a visiting professor at Yale University and the School of the Art Institute of Chicago, among others. He was the recipient of a Fulbright Grant in 1993 and has been awarded an NEA critic's grant and the Frank Jewett Mather Award for Distinction in Art Criticism by the College Art Association. His other books include Sculpture in the Age of Doubt (Allworth Press). He lives in New York City.