Synopses & Reviews
This is the only novel that Conrad set in London, and it communicates a profoundly ironic view of human affairs. The story is woven around an attack on the Greenwich Observatory in 1894. Verloc, (a Russian spy who is also working for the police) is ostensibly a member of an anarchist group in Soho.
The Secret Agent is the unsurpassed ancestor of a long series of twentieth-century novels and films which explore the confused motives that lie at the heart of political terrorism. In its use of powerful psychological insight to intensify narrative suspense, it set the terms by which subsequent works in its genre were created. Conrad was the first novelist to discover the strange in-between territory of the political exile, and his genius was such that we still have no truer map of that region's moral terrain than his story of a terrorist plot and its tragic consequences for the guilty and innocent alike.
Introduction by Paul Theroux
(Book Jacket Status: Not Jacketed)
At first, Joseph Conrad did not dare to call this book a novel. He traveled to Montpellier in February 1906 with his small family, telling himself that he was composing a short story, entitled 'Verloc', the name of the central character. As always, he wrote slowly, in a stubborn mood of exasperation an uncertainty, laboring in a foreign language.
Includes bibliographical references (p. xviii-xix).
About the Author
Joseph Conrad (1857-1924) grew up amid political unrest in Russian-occupied Poland. After twenty years at sea with the French and British merchant navies, he settled in England in 1894. Over the next three decades he revolutionized the English novel with works such as Typhoon (1902), Youth (1902), Nostromo (1904), The Secret Agent (1907), Under Western Eyes (1911), Chance (1913), and Victory (1915).