Synopses & Reviews
A powerful, timely debut, The Turner House marks a major new contribution to the story of the American family.
The Turners have lived on Yarrow Street for over fifty years. Their house has seen thirteen children grown and gone—and some returned; it has seen the arrival of grandchildren, the fall of Detroit’s East Side, and the loss of a father. The house still stands despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs. But now, as ailing matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a tenth of its mortgage. The Turner children are called home to decide its fate and to reckon with how each of their pasts haunts—and shapes—their family’s future.
Already praised by Ayana Mathis as “utterly moving” and “un-putdownable,” The Turner House brings us a colorful, complicated brood full of love and pride, sacrifice and unlikely inheritances. It’s a striking examination of the price we pay for our dreams and futures, and the ways in which our families bring us home.
"A coming-of-age story of sorts, Jones's melodramatic latest (after The Untelling) chronicles the not-quite-parallel lives of Dana Lynn Yarboro and Bunny Chaurisse Witherspoon in 1980s Atlanta. Both girls born four months apart are the daughters of James Witherspoon, a secret bigamist, but only Dana and her mother, Gwen, are aware of his double life. This, Dana surmises, confers 'one peculiar advantage' to her and Gwen over James's other family, with whom he lives full time, though such knowledge is small comfort in the face of all their disadvantages. Perpetually feeling second best, 15-year-old Dana takes up with an older boy whose treatment of her only confirms her worst expectations about men. Meanwhile, Chaurisse enjoys the easy, uncomplicated comforts of family, and though James has done his utmost to ensure his daughters' paths never cross, the girls, of course, meet, and their friendship sets their worlds toward inevitable (and predictable) collision. Set on its forced trajectory, the novel piles revelation on revelation, growing increasingly histrionic and less believable. For all its concern with the mysteries of the human heart, the book has little to say about the vagaries of what motivates us to love and lie and betray. (May)" Publishers Weekly (Starred Review) (Copyright PWyxz LLC)
With the opening line of Silver Sparrow
, “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a man’s deception, a family’s complicity, and two teenage girls caught in the middle.
Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoon’s two families — the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich yet flawed characters — the father, the two mothers, the grandmother, and the uncle — she also reveals the joy, as well as the destruction, they brought to one another’s lives.
At the heart of it all are the two lives at stake, and like the best writers — think Toni Morrison with The Bluest Eye — Jones portrays the fragility of these young girls with raw authenticity as they seek love, demand attention, and try to imagine themselves as women, just not as their mothers.
With the opening line of Silver Sparrow, “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a mans deception, a familys complicity, and the two teenage girls caught in the middle.
Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoons two families—the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode. This is the third stunning novel from an author deemed “one of the most important writers of her generation” (the Atlanta Journal Constitution).
A novel centered on the journey of the Turner family and its thirteen siblings, particularly the eldest and youngest, as they face the ghosts of their pasts—both an actual haint and the specter of addiction—the imminent loss of their mother, and the necessary abandonment of their family home in struggling Detroit.
About the Author
Tayari Jones is the author of two previous novels. Jones holds degrees from Spelman College, Arizona State University, and the University of Iowa. She serves on the MFA faculty at Rutgers and blogs on writing at www.tayari jones.com/blog.