Synopses & Reviews
More than anything, Maya wants to discover something incredible. Her parents are scientists: Her mother spends most of her time in tropical rainforests, uncovering ancient artifacts, and her dad is obsessed with digging up mammoths. When her father gets invited by an eccentric billionaire to lead a team investigating a mammoth’s remains in the Arctic, Maya begs to come along. Upon her arrival at the isolated camp, the mammoth is quickly revealed to be a fake, but there is something hidden in the ice—something unbelievable. Along with a team of international experts, each with his or her own agenda and theory about the mystery in the ice, Maya learns more about this discovery, which will change her life forever.
Laura Quimby expertly mixes adventure, science, and wonder into a page-turning story perfect for middle-grade explorers.
Praise for The Icarus Project
"Who wouldn’t want to find something earth-shatteringly unique while on an Arctic expedition?.. Quimby’s plot is exuberantly fast-paced and earnest."
"Maya’s earnest first-person point of view and sense of fair play make her easy to root for, and the inclusion of a boy character as a foil to Maya, along with lively writing and plenty of action, will help this middle-grade novel pull in reluctant readers."
"Maya is an earnest and likable character and the plot is fast-paced enough to hold readers’ attention. Maya’s curiosity, bravery, and desire to do the right thing will resonate with many readers."
—School Library Journal
"Almond makes a triumphant debut in the field of children's literature with prose that is at once eerie, magical, and poignant." Publishers Weekly, Starred
"A powerful, atmospheric story...the marvelous and everyday mix in haunting, memorable ways." Kirkus Reviews
"A lovingly done, thought-provoking novel." School Library Journal, Starred
"Its strength as a novel is in its subtlety....Skellig is a fine book." The New York Times Book Review
"Some of the writing takes one's breath away." Booklist, Starred
"Skellig is a strange book, certainly a memorable one. It isn't the usual fantasy, rather there is something about it that makes the reader feel if he or she just looked a bit harder and listened more carefully, many wondrous creatures would be there to find." KLIATT
David Almond’s Printz Honor–winning novel celebrates its 10th anniversary!
Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage. . . . What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever. . . .
Ten-year-old Michael was looking forward to moving into a new house. But now his baby sister is ill, his parents are frantic, and Doctor Death has come to call. Michael feels helpless. Then he steps into the crumbling garage....What is this thing beneath the spiders' webs and dead flies? A human being, or a strange kind of beast never before seen? The only person Michael can confide in is his new friend, Mina. Together, they carry the creature out into the light, and Michael's world changes forever.
About the Author
“I grew up in a big extended Catholic family [in the north of England]. I listened to the stories and songs at family parties. I listened to the gossip that filled Dragones coffee shop. I ran with my friends through the open spaces and the narrow lanes. We scared each other with ghost stories told in fragile tents on dark nights. We promised never-ending friendship and whispered of the amazing journeys wed take together.
“I sat with my grandfather in his allotment, held tiny Easter chicks in my hands while he smoked his pipe and the factory sirens wailed and larks yelled high above. I trembled at the images presented to us in church, at the awful threats and glorious promises made by black-clad priests with Irish voices. I scribbled stories and stitched them into little books. I disliked school and loved the library, a little square building in which I dreamed that books with my name on them would stand one day on the shelves.
“Skellig, my first childrens novel, came out of the blue, as if it had been waiting a long time to be told. It seemed to write itself. It took six months, was rapidly taken by Hodder Childrens Books and has changed my life. By the time Skellig came out, Id written my next childrens novel, Kits Wilderness. These books are suffused with the landscape and spirit of my own childhood. By looking back into the past, by re-imagining it and blending it with what I see around me now, I found a way to move forward and to become something that I am intensely happy to be: a writer for children.”
David Almond is the winner of the 2001 Michael L. Printz Award for Kits Wilderness, which has also been named best book of the year by School Library Journal, Booklist, and Publishers Weekly. He has been called "the foremost practitioner in children's literature of magical realism." (Booklist) His first book for young readers, Skellig, is a Printz Honor winner. David Almond lives with his family in Newcastle, England.
Reading Group Guide
1. Michael is very unhappy at the beginning of the novel. Discuss how Michael's life changes after he discovers Skellig and meets Mina. Think about ways that you deal with fear and loneliness. How can you help a friend who appears unhappy?
2. Almond never gives the reader a specific description of Skellig. Based on the glimpses of Skellig found throughout the novel, what is your impression of Skellig? How might Michael describe Skellig at the end of the novel?
3. Michael brushes his hands against Skellig's back and detects what appear to be wings. When he asks his mother about shoulder blades, she answers, "They say that shoulder blades are where your wings were when you were an angel . . . where your wings will grow again one day." What does this statement reveal about Skellig?
4. When Michael questions why Skellig eats living things and makes pellets like an owl, Mina answers, "We can't know. Sometimes we just have to accept that there are things we can't know." Why is this an important moment in the novel?
5. When Michael's soccer teammates discover his friendship with Mina, they begin teasing him. How does this affect Michael's relationship with them? Why do you think they make fun of Mina? How does she handle the teasing? How would you handle the situation if your classmates made fun of a special friend?
6. Discuss Michael's relationship with his mother and father. How does the baby's illness put a strain on these relationships? How is Michael's relationship with his parents different from Mina's relationship with her mother?
7. At the same time that his sister is undergoing heart surgery, Michael discovers that Skellig is gone. Mina calms Michael by quoting William Blake: "[Blake] said the soul was able to leap out of the body for a while and then leap back again. He said it could be caused by great fear or enormous pain. Sometimes it was because of too much joy. It was possible to be overwhelmed by the presence of so much beauty in the world." Why do you think Mina quoted this passage to Michael? How are fear and pain related? How are joy and beauty related? How does Skellig represent all these qualities?
8. What does the nurse mean when she describes Michael's baby sister as having a "heart of fire"? Why does Michael want to name the baby Persephone? Why is Joy an appropriate name for her? What other names might symbolize her journey and her place in the world?
9. Skellig returns for one last visit with Michael and Mina. What do you think is Skellig's purpose for entering Michael's life? How does he touch other lives? Do you think he'll ever return?
Note from the Author
I grew up in a big family in a small, steep town overlooking the River Tyne, in England.
It was a place of ancient coal mines, dark terraced streets, strange shops, new real estate development, and wild heather hills. Our lives were filled with mysterious and unexpected events, and the place and its people have given me many of my stories. I always wanted to be a writer, though I told very few people until I was "grown-up." Writing can be difficult, but sometimes it really does feel like a kind of magic.
I think stories are living things--among the most important things in the world