Excerpt
“A mixture of
The Lovely Bones and
The Girl with the Dragon Tattoo . . . Hoffman’s narrative oscillates between various characters, carefully building suspense, depth, and new insight with every chapter. Let’s hope we will be seeing more of this talented new writer.”
Booklist “[A] fearless first novel… For all the passion in this intense narrative, Hoffman writes with a restraint that makes poetry of pain. She also shows a mastery of her craft by developing the story over 17 years and narrating it from multiple perspectives. While each has a different take on the horrific events that no one saw coming, the people who live in this insular place remain willfully blind to their own contributions to the deeper causes that made this tragedy almost inevitable.”
New York Times Book Review "This beautiful, stealthy novel creeps up on the mesmerized reader, subtly drawing new strands into itself until what begins as the suspenseful story of a rural American murder grows into a dark, disquieting and urgently fascinating examination of the violence and concealment practiced by a whole society. By choosing a small town canvas on which to paint her big picture, Hoffman achieves a focused intensity which she holds on the very edge of anger, without once giving in to it. She never surrenders the compassion, insightfulness and humor that make her a masterful navigator of the human heart. This is an impassioned, intelligent and important work of art, and with it Hoffman takes her place in that select group of American novelists including Philipp Meyer and Adam Haslett who, eschewing nihilism and hauteur, write with urgency and passion about what is really going on out there."
Chris Cleave, #1 New York Times bestselling author of Little Bee and Incendiary “
So Much Pretty delivers a skillful, psychologically acute tale of how violence affects a small town . . . To say more about Hoffman's constantly surprising story is to reveal too much, but the payoff is more than worth the slow-building suspense.”
Los Angeles Times "The theme of So Much Pretty is innocence lost and idealism gone wrong. . . . In the rundown little town of Haeden, things are never what they seem, as the tone of the novel grows more sinister and a young woman disappears. . . . The pace quickens as Hoffman brings the story to its dark and chilling conclusion. VERDICT: This gripping novel asks readers to judge whether a horrible crime can ever justify a terrible act of revenge. It will engage individuals and book groups interested in debating this tough topic."Library Journal “In this remarkable debut, Hoffman addresses serious injustices in present-day America. . . . This searing novel will linger long in the reader's memory.”Publishers Weekly (starred review) "An extraordinarily smart and beautifully written page turner. . . . suspenseful and highly charged . . . Hoffman passionately blends the issue of violence against women that lurks unacknowledged at the dark edges of our culture with a narrative that paints a grim picture of any-town America. Hoffman’s literary voice is a force and this novel will leave you reeling."Powells.com “Captivating . . . Hoffman's careful weaving of each storyline is seamless. . . . The eyewitness accounts, and police interviews provide the most compelling material, as Hoffman creates a magnificent buildup to the conclusion. The story slowly evolves, making the reader anxious, and posing the question, does an act of vengeance equal justice?”Manhattan Literature Examiner (Examiner.com) “Very good and very hard to put down . . . If we’re forcing comparisons, I’d add . . . Daniel Woodrell’s 2006 novel Winter’s Bone for the hardscrabble grit of Smalltown, USA. . . . So Much Pretty looks searingly at the questions of justice and revenge. Many readers will find some of the answers shocking.”January Magazine “So Much Pretty unravels a narrative that's rich with suspense and moral complexity. Delicately balancing two story lines, Cara Hoffman dramatizes a death and a disappearance. Along the way, we get caught up in her portraits of those who belong, those who don't, and the irreversible consequences of lives coming together. This story of violence begetting violence is a fine debut.”Lee Martin, author of The Bright Forever, a finalist for the Pulitzer Prize