Synopses & Reviews
In each section of Michael Cunningham's bold new novel, his first since
The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
Michael Cunningham's most recent, best-selling novel, The Hours, won both the Pulitzer Prize and PEN/Faulkner award, and became an Academy Award-winning film starring Nicole Kidman, Julianne Moore, and Meryl Streep. An earlier novel, A Home at the End of the World, was recently made into a film starring Colin Farrell, Dallas Roberts, Sissy Spacek, and Robin Wright Penn. Cunningham lives in New York. A Boston Globe Best Book of the YearA Washington Post Best Book of the YearA Chicago Tribune Best Book of the Year In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, a man, and a woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemlingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city, and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today. "These three novellas give loose rein to his playful genius for description and rollicking plot."Ethan Canin, The Washington Post Book Review "An extraordinary book, as ambitious as it is generous . . . I promise you fun, marvels, adventure, love stories, plus the uninhibited exercise of a great natural writer and an inspired historian. . . . This is a transforming book, the lovely, tattered record of our time and place, and of our wish to prevail."David Thomson, The New York Observer
"[Specimen Days] is a love song of a novel, rich and melancholy and overflowing with smartness."The Boston Globe
"It is his unique moral vision that successfully hinges three distinct narrative panels into a triptych of unified beauty. It's what raises his individual stories out of their genres into the glorious realm of art . . . Big, haunting, beautiful."Los Angeles Times Book Review
"Stunning . . . It is a rich reading experience, going from the brutal factory scenes to the thriller of the middle section, and then on to the brave new world of the final section. Cunningham has made something substantively and stylistically bold out of these stories, keeping his many fires stoked and pulling the parts together as a brilliant whole."The Seattle Times "Quite simply and even more impressively than in The Hours, Cunningham writes like an angel . . . Read this magical, spellbinding novel."The Atlanta Journal-Constitution
"Like Whitman, Cunningham too sings America, in all its grime and glory . . . and Specimen Days is a book of wonders."The Times Picayune (New Orleans)
"These three novellas give loose rein to his playful genius for description and rollicking plot."Ethan Canin, The Washington Post Book Review
”In his first novel since The Hours, Michael Cunningham explores the unsettling effects of the industrial age. Splendid prose in a mesmerizing tale that tweaks our standard measures of time."Chicago Tribune
"Brilliantly conceived, empathic, darkly humorous, and gorgeously rendered, Cunningham's galvanizing novel about the quest for justice and freedom, the parameters of the soul, the hunger for beauty, and the fluid interface between the natural and the engineered is a genuine literary event. Y.A.: The magnetic characters and edgy action will carry teens through."Donna Seaman, Booklist (starred review)
"Engaging Walt Whitman as his muse (and borrowing the name of Whitman's 1882 autobiography for his title), Cunningham weaves a captivating, strange, and extravagant novel of human progress and social decline. Like his Pulitzer Prize-winning The Hours, the novel tells three stories separated in time. But here, the stage is the same (the 'glittering, blighted' city of Manhattan), the actors mirror each other (a deformed, Whitman-quoting boy, Luke, is a terrorist in one story and a teenage prophet in another; a world-weary woman, Catherine, is a would-be bride and an alien; and a handsome young man, Simon, is a ghost, a business man, and an artificial human) and weighty themes (of love and fear, loss and connection, violence and poetry) reverberate with increasing power. 'In the Machine,' set during the Industrial Revolution, tells the story of 12-year-old Luke as he falls in love with his dead brother's girlfriend, Catherine, and becomes convinced that the ghost of his brother, Simon, lives inside the iron works machine that killed him. The suspenseful 'The Children's Crusade' explores love and maternal instinct via a thrilleresque plot, as Cat, a black forensic psychologist, draws away from her rich, white and younger lover, Simon, and toward a spooky, deformed boy who's also a member of a global network committed to random acts of terror. And in 'Like Beauty,' Simon, a 'simulo', Catareen, a lizard-like alien, and Luke, an adolescent prophet, strike out for a new life in a postapocalyptic world. With its narrative leaps and self-conscious flights into the transcendent, Cunningham's fourth novel sometimes seems ready to collapse under the weight of its lavishness and ambitionbut thrillingly, it never does. This is daring, memorable fiction."Publishers Weekly (starred review)
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"Brilliantly conceived, empathic, darkly humorous, and gorgeously rendered...a genuine literary event." Booklist (Starred Review)
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"Cunningham's vivid prose captures the intricate weave of love and expectation that propels the hopes of one generation as it fades into another." Library Journal
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"[R]eads like a clunky and precious literary exercise...that intermittently reveals glimpses of the author's storytelling talents, but too often obscures those gifts with self-important and ham-handed narrative pyrotechnics." Michiko Kakutani, The New York Times
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"Specimen Days contains multitudes, all right Whitmanesque awe for life's genuine wonders and dismay at its horrors but they haven't been fused into any cause for celebration." Cleveland Plain Dealer
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"While Specimen Days may have its flaws, it is clearly and often compellingly the work of a gifted storyteller with an ambitious mind and a lyrical writing style." San Francisco Chronicle
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"[W]hen you close the book you won't be thinking about [its] minor flaws. Instead you'll be pondering Cunningham's big, haunting, beautiful vision of who we were, are and one day might be." Los Angeles Times
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"[E]xquisitely written but bizarre and disjointed....As with...The Hours, Cunningham has set his three stories in three different eras, though here he stitches them together with far less finesse. (Grade: B)" Entertainment Weekly
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"Provocative and disturbing....Cunningham crosses genres elegantly. The naturalism of late 19th-century fiction becomes the police thriller, which ends up as science fiction." Baltimore Sun
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"The novel succeeds in spite of itself. It is, in three daring swoops, a poetic meditation on what it means to be human, a cautionary tale about the separation of progress from morality, and an eloquent call to rebellion against the powers that be." Milwaukee Journal Sentinel
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"Ultimately, this weird, confounding novel won me over (I still find myself thinking about it), and I've no doubt it'll be provoking all sorts of interesting conversations and arguments for months to come." Minneapolis Star Tribune
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"Readers who want...The Hours all over again might be disappointed with this novel. It isn't seamless, and each story has a slightly fleeting feel, as though we are leaving one too soon to get to the next. But there's a quality of plain old pleasure here, too." Boston Globe
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"[A] compelling read....Like Margaret Atwood and her chilling futuristic The Handmaid's Tale, Cunningham leaps into the realm of imagination. Yet because Whitman remains Cunningham's inspiration, the novelist offers a form of hope." USA Today
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"[A] tour de force a show of the astonishing variety of styles and voices of which he's capable....[A] book that's passionate in its weaving together of images and ideas, both startling the mind and touching the heart." San Jose Mercury News
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"[A] work of genius so original it unfolds with a whiff of inevitability. You will find it hard to believe it did not exist before....Cunningham knows that beauty and sadness always come hand in hand, but he asks, do they have to be united by destruction?" Hartford Courant
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"Intelligent, emotionally complex, and immensely readable even while weighted with a deeper grief and despair. This is an astonishing accomplishment and the best book Cunningham has written." Vince Passaro, O (The Oprah Magazine)
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"Michael Cunningham is one of the most humane and moving writers we have; but the toiling quality of Specimen Days suggests that (unlike, say, David Mitchell) he may lack the naturally impassioned formalism required to make a multi-genre novel come truly to life." Jospeh O'Neill, the Atlantic Monthly (read the entire Atlantic Monthly review)
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"Cunningham dutifully includes all the things that Whitman surely would have written about had he lived today: September 11 and terrorism, Harvard MBAs, interstellar travel, the soulless modern office with its late-day, bottom-of-the-pot coffee sludge. It is a testament to the faith that we place in the novel that we sometimes think that it can do everything at once. But everything is a very big subject. Michael Cunningham's imagination is not as vast as Whitman's, and his talents are no match for so many multitudes." Deborah Friedell, the New Republic (read the entire New Republic review)
Synopsis
In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place...I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
Synopsis
The same group of characters a young boy, an older man, and a young woman are present in each historical period of this genre-bending, haunting, and transformative ode to life in New York. The novel provides a meditation on the direction and meaning of America's destiny.
Synopsis
A highly anticipated, bold new novel from the Pulitzer Prize-winning author of The Hours—three linked visionary narratives set in the ever-mysterious, turbulent city of New YorkIn each section of Michael Cunninghams new book, we encounter the same group of characters: a young boy, an older man, and a young woman. “In the Machine” is a ghost story which takes place at the height of the Industrial Revolution, as human beings confront the alienated realities of the new machine age. “The Childrens Crusade,” set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band which is detonating bombs seemingly at random around the city. The third part, “Like Beauty,” evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, “It avails not, neither distance nor place...I am with you, and know how it is.”
SPECIMEN DAYS is a genre-bending, haunting, and transformative ode to life in our greatest city—a work of surpassing power and beauty by one of the most original and daring writers at work today.
Synopsis
In each section of Michael Cunningham's bold new novel, his first since
The Hours, we encounter the same group of characters: a young boy, a man, and a woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city, and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
Synopsis
In each section of Michael Cunningham's bold new novel, his first since
The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth.
Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.
Synopsis
A driving, panoramic novel of four strangers whose personal struggles with grief become interconnected through their quest to reunite the body and engine of a vintage car.
Synopsis
A beloved car becomes a piece of us—a way back into our histories or forward into our destinies. For Emerson Tang, the only son of a prominent New England family, that car is a 1954 Beacon. A collector—of art and experience—Emerson keeps his prized possession safely stored away. But when his health begins to fail, his archivist and caretaker is approached by a secretive French painter determined to buy the Beacon at any cost. They discover that the Beacon has been compromised and that its importance reaches far beyond Emersons own history.
Soon they run into another who shares their obsession: the heir to the ruined Beacon Motor Company, who is determined to restore his grandfathers legacy. These four become unlikely adventurers, united in their aim to reunite the Beacons original body and engine, pitted against one another in their quest to claim it. Each new clue takes one closer to triumph, but also takes these characters, each grieving a deep loss, toward finding missing pieces of their own lives.
A fast-paced ride through the twentieth century—to modernism, fascism, and industrialism, to Manhattan, a German zeppelin, a famed concours in Pebble Beach, and a road race in Italy—The Afterlife of Emerson Tang takes us deep into our complicated automotive romance. A novel of strangers connected across time, through a car that is so much more than a car, it asks us what should be preserved, what memories to trust, and whether or not some of the legacies we hold most dear—including that grand contraption, the automobile—can be made new again.
About the Author
Michael Cunningham's most recent, best-selling novel, The Hours, won both the Pulitzer Prize and PEN/Faulkner award, and became an Academy Award-winning film starring Nicole Kidman, Julianne Moore, and Meryl Streep. An earlier novel, A Home at the End of the World, was recently made into a film starring Colin Farrell, Dallas Roberts, Sissy Spacek, and Robin Wright Penn. Cunningham lives in New York.