Synopses & Reviews
Stanley Spencer, a central figure in the current revival of European figurative painting and a precursor of such artists as Lucian Freud, is among the most important English painters of the twentieth century. In this book, Fiona MacCarthy investigates Spencer's life, sets his work in its cultural context, and emphasizes the links between his life and his paintings. With extensive commentary -- edited from Spencer's own writings by Judith Collins of the Tare Gallery -- on each of sixty beautiful reproductions of Spencer's paintings, this volume provides a comprehensive account of a profoundly original artist and his work.
Finding inspiration in his quiet village on the river Thames, Spencer drew on his familiar world to arrive at an art of epic grandeur. Though he denied it, Spencer was a supreme landscape artist, MacCarthy contends. Like William Blake, Spencer found the miraculous in everyday things. Like his twentieth-century contemporaries -- including sculptors Eric Gill and Jacob Epstein and writers D.H. Lawrence and James Joyce -- Spencer was searching for a new expressiveness of sex, says MacCarthy. Contrary to the public perception of him, he was also a deeply political artist, affected by life around him and by his own involvement in world events. The magnificent wall paintings he created at the Sandham Memorial Chapel at Burghclere, for example, reflect his experiences as a hospital orderly and as a private in World War I.
Stanley Spencer's extreme combination of the homely and the weird has baffled viewers of his paintings. This book, delving more deeply than ever before into Spencer's personality, sheds new light on this sensitive and enigmatic artist.
This book is thecatalogue for an exhibit opening at the Hirshhorn Museum in Washington on October 8, 1997, and later traveling to Chicago and San Francisco.
Review
andldquo;Beautifully producedandrdquo;andmdash;Maine Antique Digest
Synopsis
This beautifully illustrated book portrays the life of an artist and writer who revolutionized Victorian society and whose legacy is still widely embraced today.
Synopsis
William Morris (1834and#150;1896) was an artist, craftsman, designer, poet, polymath, and visionary thinker.and#160; Well known for advocating that objects of beauty be accessible to all, Morris had a tremendous impact on the British Socialist movement, the Arts and Crafts movement, the Garden City movement, as well as on successive generations of artists and thinkers in Britain and beyond. In this fascinating book, Fiona MacCarthy examines Morrisand#8217;s vision of a society in which art could flourish, and how this idea resonated over the ensuing century.
and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160;and#160; Anarchy and Beauty takes the reader through Morrisand#8217;s fascinating career, from the establishment of his decorative arts shop (later Morris and Co.), to his radical sexual politics and libertarianism, and the publication in 1890 of his novel News from Nowhere, which envisions a utopian socialist society.and#160; MacCarthy then looks at the numerous artists and movements that bear the influence of Morrisand#8217;s ideas: Arts and Crafts and the Garden City, which took hold in both Europe and the United States; artistsand#8217; communities that sprung up during the interwar years; and the 1951 Festival of Britain, whose mission was to bring the highest standards of design within the reach of everyone. and#160;
About the Author
Fiona MacCarthy is a cultural historian, broadcaster, and critic who has written biographies on Eric Gill (1989), William Morris (1995), Lord Byron (2002), and Edward Burne-Jones (2012).and#160;