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Suite Francaise

by Irene Nemirovsky
Suite Francaise

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ISBN13: 9781400096275
ISBN10: 1400096278
Condition: Standard


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Awards

Winner of France's 2004 Prix Renaudot

Synopses & Reviews

Publisher Comments

By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française — the first two parts of a planned five-part novel — she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France — where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis — she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece

The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival — some trying to maintain lives of privilege, others struggling simply to preserve their lives — but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers — from aristocrats to shopkeepers to peasants — cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.

Suite Française is a singularly piercing evocation — at once subtle and severe, deeply compassionate and fiercely ironic — of life and death in occupied France, and a brilliant, profoundly moving work of art.

Review

"Celebrated in pre-WWII France for her bestselling fiction, the Jewish Russian-born Némirovsky was shipped to Auschwitz in the summer of 1942, months after this long-lost masterwork was composed. Némirovsky, a convert to Catholicism, began a planned five-novel cycle as Nazi forces overran northern France in 1940. This gripping 'suite,' collecting the first two unpolished but wondrously literary sections of a work cut short, have surfaced more than six decades after her death. The first, 'Storm in June,' chronicles the connecting lives of a disparate clutch of Parisians, among them a snobbish author, a venal banker, a noble priest shepherding churlish orphans, a foppish aesthete and a loving lower-class couple, all fleeing city comforts for the chaotic countryside, mere hours ahead of the advancing Germans. The second, 'Dolce,' set in 1941 in a farming village under German occupation, tells how peasant farmers, their pretty daughters and petit bourgeois collaborationists coexisted with their Nazi rulers. In a workbook entry penned just weeks before her arrest, Némirovsky noted that her goal was to describe 'daily life, the emotional life and especially the comedy it provides.' This heroic work does just that, by focusing — with compassion and clarity — on individual human dramas." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

Review

"[G]randly symphonic, courageous, and scathing....[A] magnificent novel of the insidious devastation of occupation, and Némirovsky is brilliant and heroic....Everything about this transcendent novel is miraculous." Booklist (Starred Review)

Review

"[A] hugely ambitious novel....A valuable window into the past, and the human psyche. This is important work." Kirkus Reviews

Review

"It's evident from the novel's bravura beginning that we're in the presence of something exceptional. In two panoramic pages Némirovsky evokes not just a few Parisians' response to the latest air raid, but the entire city's." Newsday

Review

"[Némirovsky's] talent was quite considerable and her personal story rather moving and awful....These are two beautifully restrained novels about the chaos and suffering immediately following the fall of Paris..." Chicago Tribune

Synopsis

An extraordinary novel of life under Nazi occupation — discovered and published 62 years after the author's tragic death at Auschwitz. Subtle, often fiercely ironic, and deeply compassionate, it is both a piercing record of its time and a brilliant, profoundly moving work of art.

Synopsis

Beginning in Paris on the eve of the Nazi occupation in 1940. Suite Française tells the remarkable story of men and women thrown together in circumstances beyond their control. As Parisians flee the city, human folly surfaces in every imaginable way: a wealthy mother searches for sweets in a town without food; a couple is terrified at the thought of losing their jobs, even as their world begins to fall apart. Moving on to a provincial village now occupied by German soldiers, the locals must learn to coexist with the enemy — in their town, their homes, even in their hearts.When Irène Némirovsky began working on Suite Française, she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz, where she died. For sixty-four years, this novel remained hidden and unknown.

About the Author

Irène Némirovsky was born in Kiev in 1903 into a successful banking family and fled to France during the Russian Revolution. After attending the Sorbonne, she began to write and swiftly achieved success with her first novel, David Golder, which was followed by The Ball, The Flies of Autumn, Dogs and Wolves, and The Courilof Affair. When the Germans occupied France in 1940, she moved with her husband and two small daughters, age 5 and 13, from Paris to the comparative safety of Issy-L’Evêque. It was here that she secretly began writing Suite Française. She was killed in Auschwitz in 1942.

Reading Group Guide

1. The Péricands were mistrustful of the government, yet “Monsieur Péricands position as curator of the countrys national museums bound them to an administration that showered its faithful with honours and financial rewards” [p. 6]. Given their wealth and social position, is it unsurprising that people like the Péricands would

collaborate with the Vichy government? Does the novel present moral failure as understandable or repellent?

2. In the exodus from Paris, Gabriel Corte is looking at the people around him: “‘Such ugliness…such hideous faces! Overcome, he turned round to face inside the car and closed his eyes. . . . ‘Did you see that horrible old woman beside us with her birdcage and bloodstained bandages?” [pp. 47-48]. Corte is a successful novelist. What kind of sensibility does he have? How does he differ, as an observer of life, from Némirovsky?

3. Madame Michaud longs for news of her son Jean-Marie, who is a soldier. In chapter 12, she and Maurice are present when German bombs strike a train carrying wounded French soldiers. Jean-Marie is on this train, though his parents dont know it, and they eventually return home still longing for news of him. Later, having stolen gasoline from a young couple on the road and finally arrived at home, the aesthete Charles Langelet is killed by a car driven by Arlette, Corbins ex-mistress. Discuss the effects of this approach to plot construction, in which Némirovsky directs the movements of characters whose paths converge and diverge in unexpected ways.

4. “In spite of the exhaustion, the hunger, the fear, Maurice Michaud was not really unhappy. He had a unique way of thinking: he didnt consider himself that important; in his own eyes he was not that rare and irreplaceable creature most people imagine when they think about themselves” [pp. 54-55]. Why is Maurice “unique” in this? Given the novels broad array of selfish and narcissistic characters, do the Michauds seem to stand as models of moral decency?

5. Consider the following two passages:

“The glass roof shattered and exploded outwards, wounding and killing the people in the square. Panic-stricken, some of the women threw down their babies as if they were cumbersome packages and ran. Others grabbed their children and held them so tightly they seemed to want to force them back into the womb, as if that were the only truly safe place” [p. 60].

“Machine-guns fired on the convoy. Death was gliding across the sky and suddenly plunged down from the heavens, wings outstretched, steel beak firing on this long line of trembling black insects crawling along the road. Everyone threw themselves to the ground; women lay of top of their children to protect them. When the firing stopped, deep furrows were left in the crowd, like wheat after a storm when the fallen stems form close, deep trenches” [p. 82].

What characteristics of style, vision, or sensibility make Némirovskys descriptive writing so powerful?

6. Arlette, the dancer who is one of the banker Corbins mistresses, has ensconced herself in Tours where she provides Hubert Péricand with his first sexual experience. What motivates Arlette, and how does she manage to survive so well in the world [pp. 94-103]?

7. Chapter 20 of “Storm in June” is told from the perspective of the Péricands cat Albert [pp. 104-107]. What details does the cat perceive? What does Némirovskys desire to include this playful chapter in the story tell us about her vision as a novelist?

8. Carmen Callil, author of Bad Faith, a widely hailed biography of a Vichy collaborator, observes, “Némirovsky has a particular talent, a nearness to her readers, so that you almost feel the flesh of the characters she creates, however vile, rapacious and idiotic they may be. This is where she is irresistible—addictive—so that once you pick up one of her novels, you cannot put it down” [The Guardian, February 3, 2007]. Which characters, either good or bad, come most powerfully to life, and what particular details about them are most striking?

9. Is it surprising that Father Philippes instincts about the nature of the orphan boys was correct [p. 24]? What do the scenes in chapter 25 suggest about Némirovskys perspective on human evil? What is the effect of reading the scenes that describe his fate [pp. 135-144]?

10. Némirovsky brilliantly delineates class tensions and resentments throughout Suite Française. The man in the battered Citroën, first commented upon with disgust by Gabriel Corte [p. 48], has stolen Cortes picnic basket and his family enjoys a bottle of champagne and an elegant lunch. The woman with the bandaged head, wounded and possibly widowed, thinks, “Privileges, exemptions, connections, all that was for the middle classes. Deep in her heart were layer upon layer of hatred, overlapping yet distinct: the countrywomans hatred, who instinctively detests city people, the servants hatred, weary and bitter at having lived in other peoples houses, the workers hatred” [pp. 71-72]. Does Némirovsky suggest that these hatreds among the French are partially to blame for their defeat by the Germans? Or do you see them simply as indicating Némirovskys gifts as a social realist?

11. In the village of Bussy, the women think of the occupying Germans as “our masters,” and look at them “with a mixture of desire and hatred. (The enemy? Of course. But they were also men, and young . . .)” [p. 213]. How is this ambivalent mix of desire and hatred expressed in relations between the French women and the Germans in “Dolce”?

12. In sentences like the following, Némirovsky demonstrates how attached the French are to their material possessions: “Life in the provinces of central France is affluent and primitive; everyone keeps to himself, rules over his own domain, reaps his own wheat and counts his own money” [p. 217]. Which scenes and characters demonstrate this material attachment most clearly? Does Némirovsky seem to be critical of this aspect of bourgeois life? What are its implications for the ways people behave toward each other?

13. Thinking of her arranged marriage to Gaston Angellier, Lucile “realised how very empty was her heart; it had always been empty—empty of love, empty of jealous hatred” [p. 218]. But in her attraction to Bruno, “she was almost afraid of the feelings growing within her. It was like stroking a wild animal—an exquisitely intense sensation, a mixture of tenderness and terror” [p. 295]. Bruno later says, “Waiting is erotic” [p. 324]. How effectively does the tension generated by this attraction between Lucile and Bruno drive the narrative in “Dolce”?

14. How is Lucile changed by her decision to help Benoît Sabarie? What does she mean when she says to herself, “Ive already chosen . . . in spite of myself. And I thought I was free” [p. 338]. Why does she reject Bruno, and is it admirable of her to do so?

15. At the beginning of her personal notebook Némirovsky wrote, “My God! what is this country doing to me? Since it is rejecting me, let us consider it coldly, let us watch as it loses its honour and its life. And the other countries? What are they to me? Empires are dying. Nothing matters. . . . Let us keep a cool head. Let us harden our heart. Let us wait” [p. 373]. In what ways do you see this cool, observant perspective realized in the novel?

16. Némirovsky wrote in her notebook, “Never forget that the war will be over and that the entire historical side will fade away. Try to create as much as possible: things, debates . . . that will interest people in 1952 or 2052. Reread Tolstoy. Inimitable descriptions but not historical” [p. 383]. What does this entry emphasize about Némirovskys interest in observation and description? What do the notebook entries convey about her writing process, the overall arc of the intended work, and her frame of mind as she wrote?

17. Much has been made in the literary press of the fact that Némirovsky did not include any Jewish characters in the novel. Why might she have made such a choice?


NATIONAL BESTSELLER

“Extraordinary. . . . A work of Proustian scope and delicacy, by turns funny and deeply moving.”

—Time

The questions, suggested reading, and author biography that follow are intended to enhance your groups discussion of Suite Française, a novel which created a literary sensation when it was published in France in 2004. When it first appeared in English translation in 2006, many critics and writers chose it as the book of the year. Suite Française is in itself an extraordinary literary achievement, and the circumstances of its writing and publication add to its interest and pathos.


4.9 9

What Our Readers Are Saying

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Average customer rating 4.9 (9 comments)

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lowanwin , January 28, 2013 (view all comments by lowanwin)
This is an incredible read. I was in awe once I realized Ms. Nemirovsky was writing her novellas at the same time the events she describes were taking place. Anyone with an interest in WWII will want to read this book.

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Lindsay Waite , August 25, 2012 (view all comments by Lindsay Waite)
I can't imagine what it would be like to live in a town anticipating an invasion by an occupying army, and then later, living with the presence of that army. Irene Nemirovsky was there, in Paris and later in a small village. Already established as a well-respected author, Irene wanted to write about World War II as experienced by the French, and began writing a "Suite" - a planned five section book (using Beethoven's 'Fifth Symphony' as a model). Unfortunately, she was killed in Auschwitz in August 1942, just 5 weeks after she had been arrested for being Jewish. It is miraculous that her young daughters carried around various hiding places the suitcase holding her writings. Eventually daughter Denise transcribed the notes, resulting in this book, two of the five planned sections. It is a clear-eyed look at how Parisians of all classes acted as they evacuated from Paris, anticipating the invasion of German troops. Behavior was at times cruel, selfish, selfless, heroic, dignified, stupid, cowardly, brave. The return to Paris is covered, but then the focus shifts to a small village occupied by the Germans. Day-to-day life involves dealing with this occupation, and the novel focuses on several families and their attempts to go on living. There are those who collaborate with the Germans, and those who detest and fear them. As the Germans finally leave after about a year for the Russian front, there are mixed feelings of both the soldiers and the French. Irene faced the possibility of her death with bravery, writing: To lift such a heavy weight, Sisyphus, you will need all your courage. I do not lack the courage to complete the task But the goal is far and time is short. (p.392, from Preface to the French edition.) "Suite Francaise" shows the terrible results of war not from the battleground or the horrifying concentration camps, but from the points of view of a majority of the people, from the wealthy to the poor, urban resident to farmer. It adds another level of understanding to the impact the war had on people in the European continent. Following the conclusion of this novel there are two appendices, one Irene's notes for her planned future research and writing of this "Suite," the second, a series of letters written by Irene, her husband, and others. Reading these appendices further highlights her life, her bravery, and her persistence in making sure this story was told.

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islander12 , June 24, 2012 (view all comments by islander12)
This inspired a long conversation in our book club. What would it have really been like to have been in Paris before and during the Germans occupation? Or in a small town with Germans occupying? How is this paralleled in the various wars we have known? One member compared the decision making some of the people in the book had to make to the classic boiling a frog, as the water gets hotter and hotter, the frog doesn't notice the gradual change, and dies. In each moment, should you flee? do you stay? What is the decision point? The book had an unfinished feel to it, and included 2 appendixes which added to the content, that explained how the book came to be, and included some of the letters and manuscript from before and after the book was written. The letters were heart breaking, as the author was a Jew who was sent to a concentration camp in mid 1942, and was killed, as was her husband. Their children were hidden and survived.

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rcainparis , January 04, 2010
To transport yourself to Paris and France during the years of WWII -- read this book.

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k_lochridge , January 03, 2010
A beautiful, moving book. Nemirovsky captures the mood of the second world war in a way that does not sacrifice the complex humanity of her characters.

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Snuzin00 , January 02, 2010
Exquisite writing - evokes the madness, urgency, and reality of the time and place while preserving a sense of life's beauty and its fleetingness. A tragedy in the context of her fate during the time of which she wrote.

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boomroasted , January 01, 2010
One of the best fiction books I've ever read set during World War II--probably because the author was living it while she wrote it? A must-read if you are interested in historical fiction. So incredibly vivid.

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Maggie , July 11, 2007
I read Suite Francaise without knowing the author's final fate. I found the book engrossing and profoundly moving in its relating of events during WWII in France. The fleeing citizens of Paris in the face of the approaching Nazis were shown in all their humanity. The understanding and genuine compassion shown in the depiction of the occupation was extraordinary. When I finished the novel and then read the account of the author's fate I experienced a genuine sense of shock and loss. Having read the book without even realizing that she was Jewish or that she perished in a concentration camp, I was amazed at how Nemirovsky had managed such an account of life under Nazi occupation. This book is one of the finest I have read in years.

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MsLizB , July 03, 2007 (view all comments by MsLizB)
Knowing the fate of the author makes this book almost unbearably poignant. The developing relationships and understanding between the French and German "enemies" and the sometimes-deteriorating relationships of each group speaks strongly to the absurdity of war based on cultural, ethnic, and religious differences -- indeed, all wars, while at the same time showing the strength, and power to sustain, of human relationships.

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Product Details

ISBN:
9781400096275
Binding:
Trade Paperback
Publication date:
04/10/2007
Publisher:
PENGUIN RANDOM HOUSE
Series info:
Vintage International
Pages:
431
Height:
.96IN
Width:
5.27IN
Thickness:
1.00
Series:
Vintage International
Number of Units:
1
Illustration:
Yes
Copyright Year:
2007
UPC Code:
2801400096277
Author:
Irene Nemirovsky
Translator:
Sandra Smith
Translator:
Sandra Smith
Translator:
Sandra Smith
Author:
Sandra (TRN) Smith
Author:
Irene Nemirovsky
Subject:
Literature-A to Z
Subject:
World war, 1939-1945
Subject:
France - History - German occupation, 1940-
Subject:
History
Subject:
World War, 1939-1945 -- France.

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