1954 Nobel Prize In Literature
Synopses & Reviews
The Sun Also Rises
was Ernest Hemingway's first big novel, and immediately established Hemingway as one of the great prose stylists, and one of the preeminent writers of his time. It is also the book that encapsulates the angst of the post-World War I generation, known as the Lost Generation. This poignantly beautiful story of a group of American and English expatriates in Paris on an excursion to Pamplona represents a dramatic step forward for Hemingway's evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes. In an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions, this is the Lost Generation.
Hemingway's first bestselling novel, the story of a group of Americans and English on a sojourn from Paris to Paloma, evokes in poignant detail, life among the expatriates on Paris's Left Bank during the 1920s and conveys in brutally realistic descriptions the power and danger of bullfighting in Spain.
About the Author
Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.
Reading Group Guide
Reading Group Guide for The Sun Also Rises
Ernest Hemingway was born July 21, 1899, in Oak Park, Illinois. After graduation from high school, he moved to Kansas City, Missouri, where he worked briefly for the Kansas City Star. Failing to qualify for the United States Army because of poor eyesight, he enlisted with the American Red Cross to drive ambulances in Italy. He was severely wounded on the Austrian front on July 9, 1918. Following recuperation in a Milan hospital, he returned home and became a freelance writer for the Toronto Star.
In December of 1921, he sailed to France and joined an expatriate community of writers and artists in Paris while continuing to write for the Toronto Star. There his fiction career began in "little magazines" and small presses and led to a volume of short stories, In Our Time (1925). His novels The Sun Also Rises (1926) and A Farewell to Arms (1929) established Hemingway as the most important and influential fiction writer of his generation. His later collections of short stories and For Whom the Bell Tolls (1940) affirmed his extraordinary career while his highly publicized life gave him unrivaled celebrity as a literary figure.
Hemingway became an authority on the subjects of his art: trout fishing, bullfighting, big-game hunting, and deep-sea fishing, and the cultures of the regions in which he set his work -- France, Italy, Spain, Cuba, and Africa.
The Old Man and the Sea (1952) earned him the Pulitzer Prize and was instrumental in his being awarded the Nobel Prize in 1954. Hemingway died in Ketchum, Idaho, on July 2, 1961.
Jake Barnes, an American newspaperman emasculated by a wound suffered in Italy during World War I, is living and working in Paris in the expatriate community. He takes friends Bill Gorton, Lady Brett Ashley (whom Jake loves), her fiancé, Mike Campbell, and Robert Cohn (also in love with Brett) to Spain for trout fishing and bullfighting during the festival of San Fermin in Pamplona. Tensions mount among Campbell, Cohn, and Barnes over Brett and intensify as she falls in love with Pedro Romero, a nineteen-year-old bullfighter. At the end of the festival, Brett leaves with Romero, Bill returns to Paris, Mike goes to St. Jean de Luz, and Jake goes to San Sebastian for a respite soon ended when he receives a telegram from Brett. Jake goes immediately to her aid in Madrid, where he finds her momentarily remorseful and evading truth about Romero and her relationship with Jake.
1. When Jake Barnes rebuffs the prostitute Georgette because he is "sick," she says, "Everybody's sick. I'm sick, too" (p.23). Is Georgette's observation an appropriate description of the people in the novel? Why is Jake's emasculating wound such an effective symbol?
2. When Jake and Bill walk during the Paris evening looking at Notre Dame, watching young lovers, and savoring cooking smells, Jake asks whether Bill would like a drink. Why does Bill respond, "No...I don't need it" (p. 83)? Why does Jake say that for Cohn the Bayonne cathedral was "a very good example of something or other" (p. 96)?
3. Is Jake and Bill's fishing trip to Burguete relevant to the epigraph from Ecclesiastes? How do their conversations in Burguete differ from those they have back in Pamplona? How do Robert's, Mike's, and Brett's absences from the fishing trip set them apart from Jake and Bill? Why is the Englishman Harris included in the Burguete scene?
4. How would you describe Jake Barnes's relationship with Brett? Does he love her; understand her? Is his view of Brett constant? How does he see her at the close of the novel? What does he mean when he says, "Isn't it pretty to think so," when Brett tells him that they "could have had such a damned good time together" (p. 251)?
5. If Hemingway's novel is about "the lost generation," do we conclude that all five of the persons who have gone to Pamplona are lost? Is there evidence that moral or spiritual cleansing ever takes place in the novel?
After Reading the Novel
It would be difficult to overstate the remarkable influence of The Sun Also Rises upon its millions of readers. Not only did Hemingway's novel influence our prose and our conduct, it introduced Paris and Pamplona to many of us and made them so real that when we visit them, we feel as if we are returning for a closer look rather than seeing them for the first time. Several guides to Hemingway's Paris, complete with maps, photographs, and walking tours are in print which would provide your group with an opportunity to follow Jake Barnes's footsteps down the little side street Rue Delambre at the intersection of the Boulevard Raspail and Montparnasse to the Dingo Bar, where Jake and Brett had drinks, and Ernest Hemingway met Scott Fitzgerald for the first time in the spring of 1925. Guidebooks will also lead you through narrow streets of Pamplona where the bulls run and along Paseo Hemingway to the bullring, where a bust of the famous writer stands, bearing a statement of gratitude to him from the people of Spain.