Synopses & Reviews
Meet Odette, Clarice, and Barbara Jean in the New York Times
best-selling novel . . .
Earl’s All-You-Can-Eat is home away from home for this inseparable Plainview, Indiana, trio. Dubbed “the Supremes” by high school pals in the tumultuous 1960s, they weather life’s storms together for the next four decades. Now, during their most challenging year yet, dutiful, proud, and talented Clarice must struggle to keep up appearances as she deals with her husband’s humiliating infidelities. Beautiful, fragile Barbara Jean is rocked by the tragic reverberations of a youthful love affair. And fearless Odette engages in the most terrifying battle of her life while contending with the idea that she has inherited more than her broad frame from her notorious pot-smoking mother, Dora.
Through marriage, children, happiness, and the blues, these strong, funny women gather each Sundayat the same table at Earl’s diner for delicious food, juicy gossip, occasional tears, and uproarious banter.
With wit and love, style and sublime talent, Edward Kelsey Moore brings together four intertwined love stories, three devoted allies, and two sprightly earthbound spirits in a big-hearted debut novel that embraces the lives of people you will never forget.
"The indefatigable trio of Barbara Jean, Clarice, and Odette (known as 'The Supremes' since high school) churns the small community of Plainview, Indiana into a Southern-fried tailspin this debut from Moore, a professional cellist. Each of the central characters brings unique challenges to the tables at Earl's diner: Odette battles cancer while her pothead mother communicates with famous ghosts; Clarice tries to salvage a crumbling marriage with her cheating husband; and beautiful Barbara Jean, who married for money, drinks to forget a youthful affair and her dead son. In a booth at Earl's All-You-Can-Eat, a short walk from Calvary Baptist Church, these women lay bare their passions, shortfalls, and dramas. Clarice's cancer treatment brings them together in melancholy, but it isn't long before secrets are revealed and the scramble to catch up on lost time begins. Despite meandering points-of-view and a surplus of exposition, Moore is a demonstrative storyteller and credits youthful eavesdropping for inspiring this multifaceted novel. Comparisons to The Help and Fried Green Tomatoes at the Whistle Stop Cafe are inevitable, but Moore's take on this rowdy troupe of outspoken, lovable women has its own distinctive pluck. Barney Karpfinger, the Karpfinger Agency. (Mar.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
Told with wit, style, and compassion, this is the story of friendship among three women weathering the ups and downs of life in a small Midwestern town.
When Odette, Clarice, and Barbara Jean meet as teenagers in the mid-sixties, the civil rights movement is moving along and so are their everyday lives. Their regular gathering place is Earl's All-You-Can-Eat diner, the first black-owned business in downtown Plainview, Indiana. Dubbed the Supremes by their friends, the inseparable trio is watched over by big-hearted Earl during their complicated high school days, and then every Sunday after church as they marry, and have children and grandchildren. Sitting at the same table for almost forty years, these best friends grow up, gossip, and face the world together with pointed humor, some sorrow, and much joy. Meet Odette, Clarice, and Barbara Jean--once you meet them, they will be your friends forever...
About the Author
Edward Kelsey Moore lives in Chicago, where he has enjoyed a long career as a cellist. His short fiction has appeared in several literary magazines, including Indiana Review, African American Review,
. His short story “Grandma and the Elusive Fifth Crucifix” was selected as an audience favorite on National Public Radio’s Stories on Stage
Reading Group Guide
The introduction, discussion questions, and suggested further reading that follow are designed to enhance your group’s discussion of Edward Kelsey Moore’s marvelous debut novel, The Supremes at Earl’s All-You-Can-Eat.
1. “The Supremes at Earl’s All-You-Can-Eat
is rooted in the fond memories I have of a childhood spent eavesdropping on the women of my family as they talked at family gatherings. Even when I was too young to fully understand the often very adult subject matter of their conversations, I was struck by how quickly the topics veered from heartbreakingly tragic to wildly hilarious. . . . My intention in writing The Supremes at Earl’s All-You-Can-Eat
was to celebrate the joy of true friendship and to invite readers to remember the smart, funny and strong women in their lives.” —Edward Kelsey Moore
Do you think the author has accomplished what he set out to do? Does he, a man, convey the feelings of women accurately and convincingly? In what ways is he especially knowing about women’s feelings?
2. Odette was born in a sycamore tree. Barbara Jean was born on the wrong side of the tracks. Clarice was the first black baby to be born in an all-white hospital. How do the circumstances of each woman’s birth shape her choices as adult? Their interactions with one another? Their relationships with their husbands?
3. When things get tough for the Supremes, they often see the funny side of the worst moments. Moore has a lot of fun with cousin Veronica and her donut-eating daughter. In what other instances do the Supremes use humor to help them survive?
4. Odette, Clarice, and Barbara Jean are best friends, but they’re quite different. What is a defining moment in each of their lives?
5. Commenting on “the tender considerations that came with being a member of the Supremes,” Odette says: “We overlooked each other’s flaws and treated each other well, even when we didn’t deserve it” (p. 37). What other qualities make the friendship among the three women so extraordinary? In what ways do they help one another?
6. The chapters alternate between Odette’s voice and an omniscient third-person narrator. What is the effect of this in storytelling? Why does Moore choose Odette as a narrator rather than Clarice or Barbara Jean?
7. Ghosts appear throughout the novel. What does Odette’s mother’s voice add to the story? What kind of personality comes through? In what ways does she represent a voice of wisdom, and can this be helpful or aggravating to Odette?
8. One of Dora Jackson’s beliefs is that “what we call miracles is just what’s supposed to happen. We either go with it or stand in its way” (p.296). What seemingly miraculous events occur in the novel, and why do some characters choose to “go with it” and others “stand in [their] way”?
9. Earl’s All-You-Can-Eat is the first black-owned restaurant in Plainview, Indiana. What role does place play in the novel, and how does the diner shape the lives of the main characters?
10. The Supremes grew up in tumultuous times. How was each one of them affected by the major social changes for African Americans, as well as for women, that occurred over the course of their lives?
11. How are the men who love the Supremes—James, Richmond, Lester, and Chick—each a reflection of the woman he loves? And what does each husband give to the woman in his life that she treasures, despite his failings?
12. Why does Clarice decide not to move back in with Richmond, even after he feels they’ve patched things up? What other changes do you see in Clarice after her separation from her husband, specifically in her relationship with music and religion? Do you think she will follow her dream as a musician?
13. Do you think that after a life of hard knocks, Barbara Jean will finally find happiness with Chick? Or is she destined for more tough times ahead?
14. Whether alive or dead (or a ghost), the mothers of the Supremes play a major role in their daughters’ lives. As the Supremes grow older, how do their mothers continue to exert an influence on their adult lives? Who is hurt most by it? Who is helped by it? Who is most like her mother as she gets older?
15. Odette, Clarice, and Barbara Jean each attend three very different churches. In what ways did growing up in these particular churches help to shape them into women they ultimately became?