Synopses & Reviews
In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia's family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. "I wish I could say I was afraid, but I wasn't. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life."
To Flavia the investigation is the stuff of science: full of possibilities, contradictions, and connections. Soon her father, a man raising his three daughters alone, is seized, accused of murder. And in a police cell, during a violent thunderstorm, Colonel de Luce tells his daughter an astounding story of a schoolboy friendship turned ugly, of a priceless object that vanished in a bizarre and brazen act of thievery, of a Latin teacher who flung himself to his death from the schools tower thirty years before. Now Flavia is armed with more than enough knowledge to tie two distant deaths together, to examine new suspects, and begin a search that will lead her all the way to the King of England himself. Of this much the girl is sure: her father is innocent of murder but protecting her and her sisters from something even worse.
An enthralling mystery, a piercing depiction of class and society, The Sweetness at the Bottom of the Pie is a masterfully told tale of deceptions and a rich literary delight.
"A wickedly clever story, a dead true and original voice, and an English country house in the summer: Alexander McCall Smith meets Sir Arthur Conan Doyle. Please, please, Mr. Bradley, tell me we'll be seeing Flavia again soon?" Laurie R. King, author of the Mary Russell
"Alan Bradley's marvelous book, The Sweetness at the Bottom of the Pie, is a fantastic read, a winner. Flavia walks right off the page and follows me through my day. I can hardly wait for the next book. Bravo!" Louise Penny, author of Still Life
"The Sweetness at the Bottom of the Pie offers the reader the precious gift of a richly imagined and luscious new world — but uniquely so, for this is the world of Flavia Sabina de Luce: an eleven-year-old, utterly winning, and altogether delightfully nasty piece of work. An outright pleasure from beginning to end." Gordon Dahlquist, author of The Glass Books of the Dream Eaters
"Alan Bradley brews a bubbly beaker of fun in his devilishly clever, wickedly amusing debut mystery, launching an eleven-year-old heroine with a passion for chemistry — and revenge! What a delightful, original book!" Carolyn Hart, author of the Death on Demand series
"Bradley won a Dagger award and multi-book deal when one of the judges was captivated by Flavia's character. Her charm continues to mesmerize, the book is now sold in 19 countries and, since its release in the U.S. this spring, has launched onto indie best-seller lists. Locally, it's a staff favorite at Broadway Books and Powell's, and has close to 200 folks signed up waiting for a copy from the Multnomah County Library." Peggy McMullen, The Oregonian
(read the entire Oregonian review
About the Author
Alan Bradley lives in Malta with his wife Shirley and two calculating cats.
Reading Group Guide
1. With her high level of knowledge, her erudition and her self-reliance, Flavia hardly seems your typical eleven-year-old girl. Or does she? Discuss Flavia and her personality, and how her character drives this novel. Can you think of other books that have used a similar protagonist?
2. The Sweetness at the Bottom of the Pie falls within the tradition of English country house mysteries, but with the devilishly intelligent Flavia racing around Bishop’s Lacey on her bike instead of the expected older woman ferreting out the truth by chatting with her fellow villagers. Discuss how Bradley uses the traditions of the genre, and how he plays with them too.
3. What is your favorite scene from The Sweetness at the Bottom of the Pie?
4. With her excessive interest in poisons and revenge, it’s no surprise that Flavia is fascinated, not scared, as she watches the stranger die in her garden. In your view, is her dark matter-of-factness more refreshing or disturbing?
5. Flavia reminds us often about Harriet, the mother she never knew, and has many keepsakes that help her imagine what she was like. Do you think the real Harriet would have fit into Flavia’s mold?
6. Flavia’s distance from her father, the Colonel, is obvious, yet she loves him all the same. Does their relationship change over the course of the novel in a lasting way? Would Flavia want it to?
7. Through Flavia’s eyes what sort of a picture does Alan Bradley paint of the British aristocracy? Think as well about how appearances aren’t always reality, as with the borderline bankruptcy of Flavia’s father and Dr. Kissing.
8. Discuss the meaning (or meanings) of the title The Sweetness at the Bottom of the Pie.
9. What twists in the plot surprised you the most?
10. Buckshaw, the estate, is almost a character in its own right here, with its overlarge wings, hidden laboratory, and pinched front gates. Talk about how Bradley brings the setting to life in this novel – not only Buckshaw itself, but Bishop’s Lacey and the surrounding area.
11. What does Flavia care about most in life? How do the people around her compare to her chemistry lab and books?
12. Like any scientist. Flavia expects her world to obey certain rules, and seems to be thrown off kilter when surprises occur. How much does she rely on the predictability of those around her, like her father and her sisters, in order to pursue her own interests (like solving the murder)?