Synopses & Reviews
A winner of the Costa Book Award, “beautiful and moving poetry for the real world” (The Guardian)
The Bees is Carol Ann Duffys first collection of new poems as British poet laureate, and the much anticipated successor to the T. S. Eliot Prize-winning Rapture. After the intimate focus of the earlier book, The Bees finds Duffy using her full poetic range: there are drinking songs, love poems, poems to the weather, and poems of political anger. There are elegies, too, for beloved friends and—most movingly—for the poets mother. As Duffys voice rises in this collection, her music intensifies, and every poem patterns itself into song.
Woven into and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffys subject, sometimes it strays into the poem or hovers at its edge—and the reader soon begins to anticipate its appearance. In the end, Duffys point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees is Duffys clearest affirmation yet of her belief in the poem as “secular prayer,” as the means by which we remind ourselves of what is most worthy of our attention and concern, our passion and our praise.
“Wonderfully varied . . . [Some poems] will sting you to tears. The elegies for [her] much-missed mother are the most moving poems in the whole book. ‘Cold will stop your own heart for a moment. Duffy is brazen enough to write words such as ‘besotted, ‘smitten . . . and to bring it all off brilliantly.” —The Guardian
About the Author
Carol Ann Duffy was appointed British poet laureate in 2009. She lives in Manchester, where she is a professor and the creative director at the Manchester Writing School at Manchester Metropolitan University.