Synopses & Reviews
Review
PRAISE FOR LESLIE FIEDLER
Fiedler was the original chest-thumping extrovert of American criticism, and no one ever did it better.” Slate
One of the most daring skinny-dippers in U.S. literary and social criticism
Fiedler has boldly led his readers down whirlpools of the national subconscious.” Time
A scandalous interpreter of American literature and an all-around intellectual wild man.” Chronicle of Higher Education
Fiedlers masterpiece Love and Death in the American Novel [is] usually regarded
as one of the few indispensable works in the field. But Fiedlers ideas resonated far beyond the academy to echo throughout American culture
[An] indelible, invaluable critic.” Bookforum
It is impossible to read Leslie Fiedlers criticism without a sense of awe and excitement.” The Los Angeles Times
Synopsis
Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedlers work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedlers achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedlers pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.