Synopses & Reviews
Synopsis
Excerpt from The English Familiar Essay Representative Texts: Edited With Introduction and Notes
N o. 29. the Folly of Anticipating Misfortunes] N o. 42. the Misery of a Fashionable Lady in the Country] the citizen OF the world Goldsmith Letter I. the Chinese Philosopher in England] Letter II. first Impressions of England] Letter IV. national Characteristics] Letter LIV. the Character of Beau Tibbs] Letter LV. the Character of Beau Tibbs (continued.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Synopsis
Excerpt from The English Familiar Essay Representative Texts: Edited With Introduction and Notes
Throughout this work both editors have collaborated closely, and both are equally responsible for selection and arrangement; but each acknowledges a more definite accountability for certain sections. The preparation of the text for the seventeenth and the eighteenth cen turies, with the accompanying notes and the corresponding section of the introduction, is the work of Dr. Crane; for the material of the nineteenth century Dr. Biyan is similarly responsible.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.