Synopses & Reviews
The Flash of Capital
analyzes the links between Japanandrsquo;s capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary bordersandmdash;where culture and capital crisscrossandmdash;and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical momentandmdash;tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.
andldquo;This book redesigns the way in which Japanese cinema must be approached, taking into account the andlsquo;longer termandrsquo; dynamics of economic formations as well as the way Japan is stitched into andlsquo;globalandrsquo; contemporary processes.andrdquo;andmdash;Paul Willemen, author of Looks and Frictions: Essays in Cultural Studies and Film Theory
andldquo;Cazdynandrsquo;s work is original, unique, and provocative. He asks hard questions, makes surprising connections, and as a result forces us to rethink the relationship of the aesthetic and the social in Japanese modernity.andrdquo;andmdash;Mitsuhiro Yoshimoto, author of Kurosawa: Film Studies and Japanese Cinema
Includes bibliographical references (p. -302) and index.
Relates the history of Japanese film to the history of the capitalist transformation of Japan.
About the Author
Eric Cazdyn is Assistant Professor of East Asian Studies, Film, and Comparative Literature at the University of Toronto.