Synopses & Reviews
"Impressive in its scope, surprisingly energetic and shines a bright, clear light on a pivotal moment in American history . . . I came away more impressed than I was with All the Wayand, ultimately, more moved."Charles Isherwood, New York TimesThe tumultuous beginning of Lyndon Johnsons presidency that Robert Schenkkan presented in the multiple Tony-winning All the Way continues in part two, The Great Society. The play had its world premiere at the Oregon Shakespeare Festival in July 2014, directed by Bill Rauch and starring Jack Willis, and ran at the Seattle Repertory Theatre before a planned Broadway transfer in 2016. In the years from 1965 to 1968, LBJ struggles to fight a war on poverty” even as his war in Vietnam spins out of control. Besieged by political opponents, Johnson marshals all his political wiles to try to pass some of the most important social programs in U.S. history, while the country descends into chaos over the war and backlash against civil rights. In the tradition of the great multi-part Shakespearian historical plays, The Great Society is an unflinching examination of the morality of power.
Review
Praise for The Great Society:Schenkkan doesnt need to draw any diagrams to make us feel how relevant the issues it explores remain. . . . impressive in its scope, surprisingly energetic and shines a bright, clear light on a pivotal moment in American history . . . I came away more impressed than I was with All the Wayand, ultimately, more moved.”Charles Isherwood, New York Times
Panoramic, instructive and generally enthralling . . . We view an onslaught of challenges and crises, from Johnsons increasingly embattled viewpoint brilliantly counterpointed by the parallel experience of civil-rights leader the Rev. Dr. Martin Luther King Jr. . . . forcefully evokes a tumultuous era, one (as Schenkkan pointedly reminds us) that set the stage for our current political and social landscape.”Seattle Times
The Great Society continues a profound and searching engagement with a key era of recent US history . . . moves at top speed, hurtling onwards. There is hardly a slack moment . . . Schenkkan is a master of one and two line scenes that quickly shift focus. . . . it all works brilliantly. . . . When the lights came on at around 4:15 PM on opening day and we had to file out into the screaming late July Ashland sun, I was a little sad that we werent heading off on a dinner break before returning to follow the story ever onward through Nixon, and Ford, and Carter.”Portland Theater Scene
Praise for All the Way:
All the Way puts the theater of politics on stage, and produces a masterful story that all Americans should see.”Nancy Pelosi
All the Way illuminates in intricate detail. . .how Johnson bent a recalcitrant Congress to his purpose, as if engaging in a long arm-wrestling contest with hundreds of other combatants, as he labored to pass a signature piece of legislation, the Civil Rights Act of 1964.”Charles Isherwood, New York Times
Jaw-dropping political drama. . . . Johnson was famously crude, rude, and ruthless. Schenkkan, a Pulitzer Prize winner for The Kentucky Cycle packs all that into his rich character-study. . . . In this beautifully built dramatic piece, it takes the scribe just under three (perfectly paced) hours to cover that tumultuous year, from November 1963 to November 1964, in which Vice President Johnson assumed the presidency following the assassination of John F. Kennedy, engineered the passage of a landmark civil rights bill, and was elected in his own right as our 37th president.”Marilyn Stasio, Variety
One of the most fabulous theater things ever. . . . Youll see and understand better the towering ego, political acumen, power-grabbing personality, honesty, the truth, and the lies of one of the greatest characters America has ever produced. . . . Beg, borrow or steal a ticket to recent history made real again, in All the Way.”Liz Smith, Huffington Post
All the Way is a great history lesson for voters and politicians who are concerned about the quality of America's civic life.”Julian Zelizer, CNN
An action packed new play about a seismic moment in American history.”Frank Rizzo, Variety
A worthy reappraisal [of Johnson]. . . . All the Way is mainly about what made Lyndon Johnson so vital a figure in our modern history, a man of vast capacities who, for all his flaws and personal tics, made the most of our messy democratic process.”Peter Osnos, Atlantic
With a cinematic sweep and an eye toward teasing out parallels to our current political gridlock, Schenkkan artfully traces the first year of LBJ's presidency."Thom Geier, Entertainment Weekly
A magnificent work. . . . It's a brilliant portrayal no less epic than the great tragedies of classic literature.”Roma Torre, NY1
Schenkkan and [director] Rauch are very good at choreographing the internal rhythms of political life.”Hilton Als, New Yorker
About the Author
Robert Schenkkan is a Pulitzer Prize-, Tony Award-, and Writers Guild Award-winning author of stage, television, and film. He has been nominated for two Emmys and is the author of twelve original full-length plays, two musicals, and a collection of one-act plays. He co-wrote the feature film
The Quiet American and his television credits include
The Pacific,
The Andromeda Strain and
Spartacus. His most recent play is
All the Way.