Synopses & Reviews
This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and andrsquo;30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.
This book offers a new look at works by notable French artists represented in the collection of the Sterling and Francine Clark Art Institute. Color reproductions of fifty-eight worksandmdash;ranging from chalk drawings by Charles Franandccedil;ois Daubigny and Edgar Degas to woodcuts by Paul Gauguin and lithographs by Henri de Toulouse-Lautrecandmdash;accompany important reconsiderations of well-known works and print series. Essays by five prominent scholars consider the political, social, cultural, and market conditions that governed and motivated printmaking and drawing and examine how key artists contributed to the development of the graphic arts in 19th-century France. The volume concludes with a complete checklist of works included in the accompanying exhibition.
This group of British prints from an exceptional private collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II.
About the Author
Jay A. Clarke is Manton Curator of Prints, Drawings, and Photographs at the Sterling and Francine Clark Art Institute. Mary Weaver Chapin is curator of graphic arts at the Portland Art Museum. Anne Higonnet is professor of art history at Barnard College. Richard Kendall is curator-at-large for the Sterling and Francine Clark Art Institute. Alastair Wright is university lecturer in history of art and tutorial fellow at St. Johnandrsquo;s College, University of Oxford.