Synopses & Reviews
The Instinct of Workmanship and the State of the Industrial Arts, originally issued in 1914, is described by Murray Murphey as his most important work. In this volume that the theoretical foundations are put forth on full display. Veblen's juxtaposition of the instinctive values of community welfare in contrast to the pecuniary values of commercial exchange was the basis of his later, more famous works. The book makes plain Veblen's basic dichotomy between technological institutions for making goods and the pecuniary institutions for making money.
Veblen's book is taken up with the casual processes in the history of culture centered on human instincts and habits. For him, a change in the natural or social conditions produces effects only by changing the behavior of people. The whole panoply of habits, instincts, and motives, points to a theory of social and cultural change which substantially differs from the pragmatic tradition that swept America in the early decades of this century. Veblen makes so many unique contributions and insights that his work outlives the limitations of its theoretical shell.
As is the case for most Veblen's works, footnotes and references are sparse, no index is provided, and the reader is left to fill in the missing paraphernalia the way one does with a novel. Indeed, the reader is swept along Veblen's captivating rhetoric in seven brilliant chapters moving from the instincts in primitive technology, to the current state of industrial arts, to the examination of predatory culture invited to the civilizational table by the competitive system, and finally into a contrast of handicrafts and machine industry.
Veblen offers a dramaturgy and a morality of the industrial order of his time: much has changed, but a great deal remains the same and is easily identifiable by the discerning reader. In this passage through text and time, Murphey is the perfect guide, displaying a keen knowledge of philosophy, psychology, and the American context in which Veblen worked. Here we have a companion essay worthy of The Instinct of Workmanship and its author.
Murray G. Murphey is professor of American Civilization at the University of Pennsylvania. He is the author of The Development of Peirce's Philosophy, co-author of a two-volume History of Philosophy in America, and co-editor of Values and Value Theory in Twentieth Century America.
Synopsis
In the ordinary course, it should seem, such an advance in the industrial arts as will result in an accumulation of wealth, a considerable and efficient industrial equipment, or in a systematic and permanent cultivation of the soil or an extensive breeding of herds or flocks, will also bring on ownership and property rights bearing on these valuable goods, or on the workmen, or on the land employed in their production. What has seemed the most natural and obvious beginnings of property rights, in the view of those economists who have taken an interest in the matter, is the storing up of valuables by such of the ancient workmen as were enabled, by efficiency, diligence or fortuitous gains, to produce somewhat more than their current consumption.
Synopsis
The Instinct of Workmanship, originally issued in 1914, is described by Murray Murphey as his most important work. It is in this volume that the theoretical foundations are put forth on full display. Veblen's juxtaposition of the instinctive values of community welfare in contrast to the pecuniary values of commercial exchange was the basis of his later, more famous works. The book makes plain Veblen's basic dichotomy between technological institutions for making goods and the pecuniary institutions for making money.