Synopses & Reviews
Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives; it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing (as in 'self-pity'). David Punter here engages with a wealth of theoretical ideas to explore the literature of pity, including Freud, Derrida, Levinas and others. His chapters cover "Distinguishing Pity", the Aristotelian framework; Buddhism and pity; the pieta in the Middle Ages and Renaissance; Shakespeare on pity; Milton's pitiless Christianity; pity and charity in the early novel; Blake's views on pity; the Victorian debate, from Austen to Dickens and George Eliot; Brecht and Chekhov on pity and self-pity; "war, and the pity of war"; Jean Rhys and Stevie Smith; pity, immigration and the colony; and finally three contemporary texts by Michel Faber, Kazuo Ishiguro and Cormac McCarthy.
Synopsis
Pity is a combination of fear, helplessness and overwhelming agitation. The term suffuses our everyday lives; it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing ('self-pity'). David Punter traces an entire history of pity, as an emotion and as an element in the arts, engaging as it does so with a wealth of theoretical ideas including Freud, Derrida, Levinas and others.
- An original treatment of the concept of pity, providing detailed textual criticism and speculative argument
- A wide-ranging history of pity, from ancient Greek theory to the present day
- Covers a wide variety of texts, including fiction, poetry and drama
- Engages with the most recent theoretical debates about literature and the emotions
Synopsis
This book traces an entire history of pity, as an emotion and as an element in the arts, engaging as it does so with a wealth of theoretical ideas including Freud, Derrida, Levinas and others.
Synopsis
Traces an entire history of pity, as an emotion and as an element in the arts GBS_insertPreviewButtonPopup( 'ISBN:9780748639496', 'ISBN:9780748691975']);
Pity represents a combination of fear, helplessness and overwhelming agitation. It is a term which suffuses our everyday lives; it is also a dangerous term hovering between approval of sympathy and disapproval of emotional wallowing (as in 'self-pity').
This book traces an entire history of pity, as an emotion and as an element in the arts, engaging as it does so with a wealth of theoretical ideas including Freud, Derrida, Levinas and others. It begins with an 'Introduction: Distinguishing Pity', followed by chapters on the Aristotelian framework; Buddhism and pity; the pieta in the Middle Ages and Renaissance; Shakespeare on pity; Milton's pitiless Christianity; pity and charity in the early novel; Blake's views on pity; the Victorian debate, from Austen to Dickens and George Eliot; Brecht and Chekhov on pity and self-pity; 'war, and the pity of war'; Jean Rhys and Stevie Smith; pity, immigration and the colony; and finally three contemporary texts by Michel Faber, Kazuo Ishiguro and Cormac McCarthy.
Features
Original treatment of the concept of pity providing detailed textual criticism and speculative argumentWide-ranging: running from ancient Greek theory to the present dayCovers a wide variety of texts, including fiction, poetry and dramaEngages with the most recent theoretical debates about literature and the emotionsAbout the Author
David Punter, having worked at universities in England, Scotland, Hong Kong and China, is now Professor of English at the University of Bristol. He has published over twenty monographs and edited collections in the Gothic, romantic writing, modern and contemporary writing, and literary theory. His most recent publications include
Writing the Passions (2000);
Postcolonial Imaginings: Fictions of a New World Order (2000);
Metaphor (2007);
Modernity (2007);
Rapture: Literature, Addiction, Secrecy (2009); and
A New Companion to the Gothic, (ed., 2012). He has also published five volumes of poetry.
Table of Contents
Preface
Chapter One: Distinguishing pity
Chapter Two: Pity and terror: the Aristotelian framework
Chapter Three: Piet