In The Lowland, Jhumpa Lahiri tells the story of two brothers who share everything as children but begin to pull apart as they grow older. Their childhood is set against a 1960s poverty rebellion known as the Naxalite movement in Calcutta, India. However, the focus here is not politics but rather family, love, duty, truth, honor, and happiness. Quiet, heart-wrenching, and beautiful, The Lowland asks the impossible-to-answer question, What will you do for what you believe? Lahiri's storytelling is masterful and her prose is gorgeous. Recommended By Dianah H., Powells.com
Synopses & Reviews
Normally she stayed on the balcony, reading, or kept to an adjacent room as her brother and Udayan studied and smoked and drank cups of tea. Manash had befriended him at Calcutta University, where they were both graduate students in the physics department. Much of the time their books on the behaviors of liquids and gases would sit ignored as they talked about the repercussions of Naxalbari, and commented on the day’s events.
The discussions strayed to the insurgencies in Indochina and in Latin American countries. In the case of Cuba it wasn’t even a mass movement, Udayan pointed out. Just a small group, attacking the right targets.
All over the world students were gaining momentum, standing up to exploitative systems. It was another example of Newton’s second law of motion, he joked. Force equals mass times acceleration.
Manash was skeptical. What could they, urban students, claim to know about peasant life?
Nothing, Udayan said. We need to learn from them.
Through an open doorway she saw him. Tall but slight of build, twenty-three but looking a bit older. His clothing hung on him loosely. He wore kurtas but also European-style shirts, irreverently, the top portion unbuttoned, the bottom untucked, the sleeves rolled back past the elbow.
He sat in the room where they listened to the radio. On the bed that served as a sofa where, at night, Gauri slept. His arms were lean, his fingers too long for the small porcelain cups of tea her family served him, which he drained in just a few gulps. His hair was wavy, the brows thick, the eyes languid and dark.
His hands seemed an extension of his voice, always in motion, embellishing the things he said. Even as he argued he smiled easily. His upper teeth overlapped slightly, as if there were one too many of them. From the beginning, the attraction was there.
He never said anything to Gauri if she happened to brush by. Never glancing, never acknowledging that she was Manash’s younger sister, until the day the houseboy was out on an errand, and Manash asked Gauri if she minded making them some tea.
She could not find a tray to put the teacups on. She carried them in, nudging open the door to the room with her shoulder.
Looking up at her an instant longer than he needed to, Udayan took his cup from her hands.
The groove between his mouth and nose was deep. Clean-shaven. Still looking at her, he posed his first question.
Where do you study? he asked.
Because she went to Presidency, and Calcutta University was just next door, she searched for him on the quadrangle, and among the bookstalls, at the tables of the Coffee House if she went there with a group of friends. Something told her he did not go to his classes as regularly as she did. She began to watch for him from the generous balcony that wrapped around the two sides of her grandparents’ flat, overlooking the intersection where Cornwallis Street began. It became something for her to do.
Then one day she spotted him, amazed that she knew which of the hundreds of dark heads was his. He was standing on the opposite corner, buying a packet of cigarettes. Then he was crossing the street, a cotton book bag over his shoulder, glancing both ways, walking toward their flat.
She crouched below the filigree, under the clothes drying on the line, worried that he would look up and see her. Two minutes later she heard footsteps climbing the stairwell, and then the rattle of the iron knocker on the door of the flat. She heard the door being opened, the houseboy letting him in.
It was an afternoon everyone, including Manash, happened to be out, and she’d been reading, alone. She wondered if he’d turn back, given that Manash wasn’t there. Instead, a moment later, he stepped out onto the balcony.
No one else here? he asked.
She shook her head.
Will you talk to me, then?
The laundry was damp, some of her petticoats and blouses were clipped to the line. The material of the blouses was tailored to the shape of her upper torso, her breasts. He unclipped one of the blouses and put it further down the line to make room.
He did this slowly, a mild tremor in his fingers forcing him to focus more than another person might on the task. Standing beside him, she was aware of his height, the slight stoop in his shoulders, the angle at which he held his face. He struck a match against the side of a box and lit a cigarette, cupping his whole hand over his mouth when he drew the cigarette to his lips. The houseboy brought out biscuits and tea.
They overlooked the intersection, from four flights above. They stood beside one another, both of them leaning into the railing. Together they took in the stone buildings, with their decrepit grandeur, that lined the streets. Their tired columns, their crumbling cornices, their sullied shades.
Her face was supported by the discreet barrier of her hand. his arm hung over the edge, the burning cigarette was in his fingers. The sleeves of his Punjabi were rolled up, exposing the veins running from his wrist to the crook of the elbow. They were prominent, the blood in them greenish gray, like a pointed archway below the skin.
There was something elemental about so many human beings in motion at once: walking, sitting in buses and trams, pulling or being pulled along in rickshaws. One the other side of the street were a few gold and silver shops all in a row, with mirrored walls and ceilings. Always crowded with families, endlessly reflected, placing orders for wedding jewels. There was the press where they took clothes to be ironed. The store where Gauri bought her ink, her notebooks. Narrow sweet shops, where trays of confections were studded with flies.
The paanwallah sat cross-legged at one corner, under a bare bulb, spreading white lime paste on stacks of betel leaves. A traffic constable stood at the center, in his helmet, on his little box. Blowing a whistle and waving his arms. The clamor of so many motors, of so many scooters and lorries and busses and cars, filled their ears.
I like this view, he said.
"When Subhash's closest friend and brother, Udayan, is killed because of his participation in a revolutionary movement in Calcutta in the 1960s, he attempts to do the responsible thing and take his brother's pregnant wife, Gauri, with him to the United States, where he is pursuing education and a new life. Yet both Subhash and Gauri will be haunted by and need to confront the absence of Udayan as the years pass. The waves of emotion and duress that ripple through Lahiri's narrative are well communicated in Malhotra's narration. Intentionally or not, his voice at times can feel disconnected from the text, which ably captures moments in which the characters are attempting to distance themselves from each other. Malhotra is capable of teasing out the emotional depth of a given scene with emphasis and timing. He maintains consistent voices for his characters and balances the different accents that emerge during this intergenerational tale. A Knopf hardcover. (Sept.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
National Book Award Finalist
Shortlisted for the 2013 Man Booker Prize
From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.
Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up. But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan—charismatic and impulsive—finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother’s political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.
But when Subhash learns what happened to his brother in the lowland outside their family’s home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind—including those seared in the heart of his brother’s wife.
Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.
From the Hardcover edition.
About the Author
JHUMPA LAHIRI is the author of Interpreter of Maladies, awarded the Pulitzer Prize and the PEN/Hemingway Award; The Namesake; and Unaccustomed Earth, a #1 New York Times bestseller and a New York Times Book Review Best Book of the Year. A recipient of a Guggenheim Fellowship, she was inducted into the American Academy of Arts and Letters in 2012. She lives in Brooklyn, New York, with her husband and 2 children.