Synopses & Reviews
For William Dean Howells, Mark Twain was "the Lincoln of our literature"; for William Faulkner, he was "the first truly American writer," and for Eugene O'Neill, "the true father of American literature." Ernest Hemingway famously asserted that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." During his lifetime and in the hundred years since his death, Mark Twain has been one of the most beloved and widely read of authors, not just in America but around the world. He has been especially cherished by other writers, who have drawn inspiration from many different aspects of his work.
The Mark Twain Anthology brings together the words of over 60 writers, from his earliest reviewers to today, probing the many facets of Mark Twain: his incomparable humor, his revolutionary use of vernacular language, his exploration of the realities of American life, his irreverence and skepticism, his profound grappling with issues of race, his fearless opposition to the injustices and outrages of an imperialistic age.
The range of voices is extraordinarily diverse, a tribute to the diversity and complexity of Twain's art. During his lifetime Twain was reviewed, interviewed, and assessed by writers as different as Lafcadio Hearn, José Martí, Rudyard Kipling, and George Bernard Shaw. They were joined, in the century that followed, by G. K. Chesterton, H. L. Mencken, Jorge Luis Borges, Theodore Dreiser, George Orwell, T. S. Eliot, W. H. Auden, Ralph Ellison, and many others, with recent commentary by David Bradley, Erica Jong, Toni Morrison, Gore Vidal, Kurt Vonnegut, Dick Gregory, Min Jin Lee, and Roy Blount Jr.
Of special interest is Twain's international impact. The Mark Twain Anthology presents a broad selection of responses to Twain from Europe, Asia, and Latin America, many of the pieces translated for the first time. The book also includes a selection of visual tributes to Twain (by artists ranging from James Montgomery Flagg to Jean Cocteau to Chuck Jones) and a sampler of shorter comments by individuals as varied as Friedrich Nietzsche, Harry S. Truman, Richard Pryor, Gertrude Stein, and Charles Darwin.
Synopsis
"Mark Twain," William Faulkner once observed, "was the first truly American writer, and all of us since are his heirs." In this unique collection scores of these literary legatees from the U.S. and around the world take the measure of Twain and his genius, among them: José Martí, Rudyard Kipling, Theodor Herzl, George Bernard Shaw, H. L. Mencken, Helen Keller, Jorge Luis Borges, Sterling Brown, George Orwell, T. S. Eliot, Richard Wright, W. H. Auden, Ralph Ellison, Kenzaburo Oe, Robert Penn Warren, Ursula Le Guin, Norman Mailer, Erica Jong, Gore Vidal, David Bradley, Kurt Vonnegut, Toni Morrison, Min Jin Lee, Roy Blount, Jr., and many others (including actor Hal Holbrook, philosopher Friedrich Nietzsche, stand-up comedians Dick Gregory and Will Rogers, and presidents Theodore Roosevelt, Franklin D. Roosevelt, Harry Truman, and Barack Obama). Included are essays originally published in Chinese, Danish, French, German, Italian, Japanese, Russian, Spanish, and Yiddish that have not previously been available in English, as well as the work of several visual artists, such as James Montgomery Flagg (creator of the "Uncle Sam Wants You" poster), French playwright and artist Jean Cocteau, and Chuck Jones (of Bugs Bunny fame). Published to mark the centennial of Twain's death, this collection testifies to the enduring and continuing legacy of the man William Dean Howells called "the Lincoln of our literature."
About the Author
Shelley Fisher Fishkin, volume editor, is Professor of English and Director of American Studies at Stanford University. She is the author or editor of 33 books on Mark Twain including Lighting Out for the Territory: Reflections on Mark Twain and American Culture; Was Huck Black? Mark Twain and African-American Voices; Mark Twain's Book of Animals; and the 29-volume Oxford Mark Twain. She has served as president of the American Studies Association and of the Mark Twain Circle of America, and was a producer of Mark Twain's Is He Dead? on Broadway. She is a founding editor of the Journal of Transnational American Studies.