Synopses & Reviews
A significant work in the history of costume and textiles, shedding new light on little known aspects of Mary Queen of Scots' lifeAlthough a large body of needlework has always been attributed to Mary Queen of Scots, little attempt was made to authenticate these pieces or to explain how so energetic and impetuous a woman could have found pleasure in the meticulous craft of embroidery. This is the first comprehensive study of the Queen as a needlewoman, describing all the works associated with her. Every piece marked by her cipher or monogram is illustrated in full. A biographical outline provides the framework for understanding her work by setting it in the context of her unsettled and stormy life. It recounts the influence of her formative years in France and her absorption in needlwork during years of imprisonment.
About the Author
Margaret Swain was pursuing her strong interest in history when she recognized the high quality of Scottish historical needlework, then little known, so she researched it to bring it to a wider audience. She also researched into the history of textiles and worked with institutions from the Palace of Holyroodhouse in Edinburgh to the Metropolitan Museum of Art in New York. In 1981 she received an honorary MA from Edinburgh University, and in 1989 an MBE for her work on embroidery and tapestries.