Synopses & Reviews
There's No One Left
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle everybody said she was the most disagreeable-looking child ever seen. It was true, too. She had a little thin face and a little thin body, thin light hair and a sour expression. Her hair was yellow, and her face was yellow because she had been born in India and had always been ill in one way or another. Her father had held a position under the English Government and had always been busy and ill himself, and her mother had been a great beauty who cared only to go to parties and amuse herself with gay people. She had not wanted a little girl at all, and when Mary was born she handed her over to the care of an Ayah, who was made to understand that if she wished to please the Mem Sahib she must keep the child out of sight as much as possible. So when she was a sickly, fretful, ugly little baby she was kept out of the way, and when she became a sickly, fretful, toddling thing she was kept out of the way also. She never remembered seeing familiarly anything but the dark faces of her Ayah and the other native servants, and as they always obeyed her and gave her her own way in everything, because the Mem Sahib would be angry if she was disturbed by her crying, by the time she was six years old she was as tyrannical and selfish a little pig as ever lived. The young English governess who came to teach her to read and write disliked her so much that she gave up her place in three months, and when other governesses came to try to fill it they always went away in a shorter time than the first one. So if Mary had not chosen to really want to know how to read books she would never have learnedher letters at all.
One frightfully hot morning, when she was about nine years old, she awakened feeling very cross, and she became crosser still when she saw that the servant who stood by her bedside was not her Ayah.
"Why did you come?" she said to the strange woman. "I will not let you stay. Send my Ayah to me."
The woman looked frightened, but she only stammered that the Ayah could not come and when Mary threw herself into a passion and beat and kicked her, she looked only more frightened and repeated that it was not possible for the Ayah to come to Missie Sahib.
There was something mysterious in the air that morning. Nothing was done in its regular order and several of the native servants seemed missing, while those whom Mary saw slunk or hurried about with ashy and scared faces. But no one would tell her anything and her Ayah did not come. She was actually left alone as the morning went on, and at last she wandered out into the garden and began to play by herself under a tree near the veranda. She pretended that she was making a flower bed, and she stuck big scarlet hibiscus blossoms into little heaps of earth, all the time growing more and more angry and muttering to herself the things she would say and the names she would call Saidie when she returned.
"Pig! Pig! Daughter of Pigs!" she said, because to call a native a pig is the worst insult of all.
She was grinding her teeth and saying this over and over again when she heard her mother come out on the veranda with someone. She was with a fair young man and they stood talking together in low strange voices. Mary knew the fair young man who looked like a boy. She had heard that he was a very young officer who had justcome from England. The child stared at him, but she stared most at her mother. She always did this when she had a chance to see her, because the Mem Sahib Mary used to call her that oftener than anything else was such a tall, slim, pretty person and wore such lovely clothes. Her hair was like curly silk and she had a delicate little nose which seemed to be disdaining things, and she had large laughing eyes. All her clothes were thin and floating, and Mary said they were "full of lace." They looked fuller of lace than ever this morning, but her eyes were not laughing at all. They were large and scared and lifted imploringly to the fair boy officer's face.
"Is it so very bad? Oh, is it?" Mary heard her say.
"Awfully," the young man answered in a trembling voice. "Awfully, Mrs. Lennox. You ought to have gone to the hills two weeks ago."
The Mem Sahib wrung her hands.
"Oh, I know I ought!" she cried. "I only stayed to go to that silly dinner party. What a fool I was!"
At that very moment such a loud sound of wailing broke out from the servants' quarters that she clutched the young man's arm, and Mary stood shivering from head to foot. The wailing grew wilder and wilder.
"What is it? What is it?" Mrs. Lennox gasped.
"Someone has died," answered the boy officer. "You did not say it had broken out among your servants."
"I did not know!" the Mem Sahib cried. "Come with me! Come with me!" And she turned and ran into the house.
After that appalling things happened, and the mysteriousness of the morning was explained to Mary. The cholera had broken out in its most fatal form and people were dying like flies. The Ayah had been taken ill in the night, and it was becauseshe had just died that the servants had wailed in the huts. Before the next day three other servants were dead and others had run away in terror. There was panic on every side, and dying people in all the bungalows.
When orphaned Mary Lennox, lonely and sad, comes to live at her uncle's great house on the Yorkshire moors, she finds it full of secrets. At night, she hears the sound of crying down one of the long corridors. Outside, she meets Dickon, a magical boy who can charm and talk to animals. Then, one day, with the help of a friendly robin, Mary discovers the most mysterious wonder of all--a secret garden, walled and locked, which has been completely forgotten for years and years. Is everything in the graden dead, or can Mary bring it back to life?
"(Neglected Colin) lives the life of a spoilt and incurable invalid until on the arrival of an orphaned cousin, the two children secretly combine to restore his mother's locked garden and Colin to health and his father's affection".--Four to Fourteen.
"One of th' gardens is locked up. No one has been in it for ten years."
When orphaned Mary Lennox comes to live at her uncle's great house on the Yorkshire Moors, she finds it full of mysterious secrets. There are nearly one hundred rooms, most of which are locked, and the house is filled with creepy old portraits and suits of armor. Mary rarely sees her uncle, and perhaps most unsettling of all is that at night she hears the sound of someone crying down one of the long corridors.
The gardens surrounding the odd property are Mary's escape and she explores every inch of them—all except for the mysterious walled-in, locked garden. Then one day, Mary discovers a key. Could it open the door to the garden?
This 100th anniversary edition of The Secret Garden
celebrates a cherished classic with Tasha Tudor's wonderful illustrations throughout, an extended author biography, games, activities, and more!
When orphaned Mary Lennox comes to live at her uncle's great house on the Yorkshire Moors, she finds it full of secrets. The mansion has nearly one hundred rooms, and her uncle keeps himself locked up. And at night, she hears the sound of crying down one of the long corridors.
The gardens surrounding the large property are Mary's only escape. Then, Mary discovers a secret garden, surrounded by walls and locked with a missing key. One day, with the help of two unexpected companions, she discovers a way in. Is everything in the garden dead, or can Mary bring it back to life?
Supports the Common Core State Standards
About the Author
Frances Hodgson Burnett (1849-1924) grew up in England, but she began writing what was to become The Secret Garden in 1909, when she was creating a garden for a new home in Long Island, New York. Burnett was already established as a novelist for adults when she turned to writing for children. Little Lord Fauntleroy, written for her two young boys; the play A Little Princess, which became the basis for the novel of the same name; and The Secret Garden are the works for which she is most warmly remembered.