Synopses & Reviews
Introspective and poignant, The Wine of Solitude
is the most autobiographical of all of the novels from the celebrated author of Suite Française
Beginning in a fictionalized Kiev, The Wine of Solitude follows the Karol family through the Great War and the Russian Revolution, as the young Hélène grows from a dreamy, unhappy child into a strongwilled young woman. From the hot Kiev summers to the cruel winters of St. Petersburg and eventually to springtime in Paris, the would-be writer Hélène blossoms, despite her mother’s neglect, into a clear-eyed observer of the life around her. Here is a powerful tale of disillusionment — the story of an upbringing that produces a young woman as hard as a diamond, prepared to wreak a shattering revenge on her mother.
A Vintage Paperback Original
"Némirovsky's (Suite Française) tragically short life is epitomized in this mournful yet effervescent autobiographical novel spanning WWI, the Russian revolution, and the 1920s. Hélène's passage from Kiev to Finland and finally Paris follows her metamorphosis from awkward, solitary child to beguiling adolescent and intoxicating woman. Attempting to find a haven (and save their riches) during this period of historical upheaval, the Karols eventually reach France. Observant beyond her years, Hélène fixes her laser sight on all aspects of her turbulent, nomadic existence, particularly her hedonistic mother, Bella, whom she despises with an enduring passion that is perhaps too pervasive. Blaming Bella for 'ruining childhood' and provoking the loss of her beloved governess, Hélène hatches a plan to seduce her mother's lover. The ambiguous father figure of Boris Karol, a successful businessman and compulsive gambler, is a subtler achievement than Bella, in what constitutes a prequel of sorts to the author's first novel, David Golder. Beyond the waves of 'sadness and venom' which characterize much of Némirovsky's coming-of-age tale, her incredible eye for detail and the naturalistic beauty of her writing make this taut narrative glow with her irrepressible love of life. (Sept.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Wonderfully atmospheric....Némirovsky evokes the places of her childhood with a sensuous clarity that shows how much she learned from Tolstoy and Proust....A captivating and searingly honest portrait of the artist as a young woman." The Guardian
"Strangely haunting....Profound, exquisitely wrought....A pitch-perfect evocation of adult duplicity." The Independent
"Breathtaking....Némirovsky’s powers of social observation, [her] implacable eye for the nuances of human conduct...make The Wine of Solitude so memorable." The Financial Times
About the Author
Irène Némirovsky was born in Kiev in 1903 into a wealthy banking family and immigrated to France during the Russian Revolution. After attending the Sorbonne in Paris, she began to write and swiftly achieved success with David Golder, which was followed by more than a dozen other books. Throughout her lifetime she published widely in French newspapers and literary journals. She died in Auschwitz in 1942. More than sixty years later, Suite Française was published posthumously for the first time in 2006.
Reading Group Guide
The questions and additional material that follow are intended to enhance your group’s discussion of this intense and poignant coming-of-age novel by Irene Némirovsky, the author of the international bestseller Suite Française.
1. The opening chapter introduces the family and focuses on the relationships between Hélène and her father and mother. How would you describe the characters of Bella and Boris Karol? What kinds of feeling pass between them and their daughter?
2. Bella is “only happy in a hotel, in a room with a bed and a trunk, in Paris.” She thinks, “I wasn’t destined to be a placid middle-class woman, satisfied with her husband and child” (7). Is she living in a fantasy? What is the source of her resentment of Boris?
3. What does Hélène discover in her mother’s drawer that provokes complicated feelings (41-43)? Hélène is ten years old. When does she realize that her mother has a lover? Why is she pleased at making the connection (59)?
4. Hélène’s town is described as follows: “In this peaceful town, where books and newspapers were always abandoned half-finished, where no one ever dared bring politics into the conversation … where people gave their blessing to adultery so that time transformed love affairs into a second, honorable marriage respected by everyone, including the husband—in this world, human passions were hidden behind playing cards and bitterly disputed small winnings” (45). What do you think it was like to live in a town like this one? Why is it difficult for Hélène to live there?
5. Hélène realizes she is profoundly isolated, and that Mlle. Rose is her only ally. The anguish she feels about her situation torments her until she understands that she sometimes takes pleasure in her solitude (41). Why does she find her solitude enjoyable and empowering?
6. Part of Hélène’s special gift is to intuit what is hidden or unspoken by the people around her; part of her gift is to be a passionate person herself. In Paris she thinks of herself, “She had a richer and fuller life than other children” (63). How do such realizations help her as she grows up? Is her self-assessment accurate?
7. Discuss the scene in which Bella forces Hélène to show her what she has written (104-05). What has she written? What does she discover about the act of writing?
8. How does Boris react in the aftermath of Hélène’s exposure of Bella’s affair? Can Hélène rely on her father’s love and support?
9. Discuss the scene in which Hélène and her governess walk in the fog, after Mlle. Rose has been dismissed (112-19). How does Hélène react to the death of Mlle. Rose (120-23)?
10. The family lives through World War I, the Russian Revolution, and a Finnish civil war. Just before they leave St. Petersburg, Hélène sees a man being executed in the street and a dead woman carried away on a stretcher (122). How do you interpret the juxtaposition of Hélène mumbling her lessons while seeing horrors out of her window (122)?
11. Hélène takes sleigh rides and plays in the snow with Fred Reuss, a charming and irresponsible married man who flirts with her. Why do you think she refuses to say she loves himW (152)?
12. Hélène learns from her experience with Fred that she has become attractive to men, and she decides to take revenge on her mother by seducing Max (156, 163, 176). Is it surprising, or not at all, that she would be serious about this plan?
13. Does Hélène have anything but hatred for her mother and Max? Is she right to worry that “I’m no better than them, in the end” (176, 189, 195)?
14. Why does Hélène refuse to marry Max (223-24)? Has she accomplished what she set out to do?
15. After the departure of Max, Hélène’s family life becomes even more unbearable. But swimming in the sea at Biarritz, Hélène feels a fleeting moment of pure happiness: “she was a little ashamed of herself; she was close to feeling herself foolish in being able to find such perfect pleasure in this innocent way” (232). What do you make of the fact that she always seems to find real pleasure in nature: in the woods, in the snow, in the sea? How does this contrast with the pleasures sought by her mother?
16. Much has been written on the topic of Némirovsky’s relationship to Judaism. She ardently defended her own Judaism, refuting those who suggested she was a “self-hating Jew;” in 1929, she was quoted as saying, “I’m accused of anti-Semitism? Come now, that’s absurd! For I’m Jewish myself and say so to anyone prepared to listen.”Later, in an attempt to survive the war, Némirovsky converted to Catholicism; shortly thereafter, she died in Auschwitz. With this context as background, it is worth discussing the character of Boris Karol, Hélène’s father. Should Némirovsky’s portrayal of the money-obsessed Karol be considered anti-Semitic; or is it ultimately a sympathetic portrayal of a man in love with a woman who takes complete advantage of everything he has to offer?
17. Boris dies, having lost almost all of his fortune, while Bella is trying to steal some of the remaining money for her lover. Hélène decides to leave home and risk living on her own. She says, “I’m not afraid of life. … My solitude is powerful and intoxicating” (247). How do you respond to the ending of the novel? What is the mood that dominates?