Synopses & Reviews
It is the most famous home movie of all time, the most closely analyzed 26 seconds of film ever shot, the most disturbing visual record of what many have called "the crime of the century."
In 486 frames—a mere six feet of celluloid—Abraham Zapruder's iconic film captures from beginning to end the murder of President John F. Kennedy in broad daylight. An essential piece of evidence, the film has become nearly synonymous with the assassination itself and has generated decades of debate among conspiracy theorists and defenders of the Warren Commission's official report. Until now, however, no scholar has produced a comprehensive book-length study of the film and its relation to the tragic events of November 22, 1963.
David Wrone, one of our nation's foremost authorities on the assassination, re-examines Zapruder's film with a fresh eye and a deep knowledge of the forensic evidence. He traces the film's history from its creation on the "grassy knoll" by Dallas dressmaker Zapruder through its initial sale to Life magazine and early reproductions and its analysis by the Warren Commission and countless assassination researchers, licensing by the Zapruder family, legal battles over bootleg copies, and sale to the federal government for sixteen million dollars.
Wrone's major contribution, however, is to demonstrate how a close examination of the film itself necessarily refutes the Warren Commission's lone-gunman and single-bullet theories. The film, as he reminds us, provides a scientifically precise timeline of events, as well as crucial clues regarding the timing, number, origins, and impact of the shots fired that day. Analyzing the film frame-by-frame in relation to other evidence—including two key photos by Phil Willis and Ike Altgens—he builds a convincing case against the official findings.
Without fanfare, he concludes that more than three gunshots were fired from more than one direction and that most likely none were fired by alleged assassin Lee Harvey Oswald. If true, then JFK's death was the result of a conspiracy, for the Commission's nonconspiracy conclusion requires a maximum of three shots and one gunman.
Wrone, however, does not speculate as to who actually shot JFK or why—or even if Oswald was a part of the conspiracy. In fact, he is no fan of conspiracy-think and is just as critical of the legion of conspiracy theorists as he is of the Warren Commission (which, he reveals, crushed dissent within its own ranks).
Doggedly pursuing the evidence wherever it leads, Wrone has produced a meticulous, clear-eyed, and provocative new reading of this remarkable cinematic Rosetta Stone.
Synopsis
To be published on the 40th anniversary of JFK's assassination--November 22, 2003--this thorough analysis of JFK's assassination as captured on Abraham Zapruder's home movie argues that the film provides undeniable answers to questions still surrounding the shooting. Includes 22 full color stills from the film.
Synopsis
Includes bibliographical references (p. [339]-350) and index.
Synopsis
A stunning analysis of JFK's assassination as captured on Abraham Zapruder's home movie, this book argues that the film provides undeniable answers to questions still surrounding the shooting. First paperback edition--in time for the 50th anniversary of the assassination in November 2013.
Table of Contents
Preface
Introduction
Part I. The Film
1. Abraham Zapruder Films the Assassination
2. Development and Sale of the Film
3. The Film
Part II. The Film and Private Ownership of American History
4. Ownership, Copyright, and the Zapruder Film, 1963-1975
5. Control and Profits, 1975-1997
Part III. The Film and the Struggle for Access
6. Profits First: Time Inc. Sues Bernard Geis Associates for Theft and Misuse of Its Zapruder Frams
7. A Student, a Scholar, and the Zapruder Film: Gerard A. Selby Jr. and Harold Weisberg versus Henry G. Zapruder et al.
Part IV. Theorists and the Zapruder Film
8. Prisoners of Preconception: Conspiracy Theorists, Warren Commission Defenders, and the Zapruder Film
9. Altered Evidence, Altered States: An Introduction to Those Who Claim the Film Was Altered
Part V. The Film and the Evidentiary Base
10. Official Federal Policy: Do Not Investigate
11. The Man in the Doorway
12. The Head Shot and Zapruder Frams 337 and 338
13. Photographic Proof of Conspiracy: Zapruder Frame 202
14. A Command Appearance: Jim Garrison, Zapruder, and Zapruder's Film
Part VI. The Film and the Single-Bullet Theory
15. Official Allegation: A Single Bullet Explains All Seven Nonfatal Wounds
16. Official Evidence: The Seven Nonfatal Wounds
Part Vii. The Struggle to Free the Film
17. Federal Purchase: The Government and the Zapruder Film, 1963-2000
Epilogue: The Zapruder Film and American History
Appendix: Documents
Notes
Selected Bibliography
Index