Synopses & Reviews
Tatiana du Plessix, the wife of a French diplomat, was a beautiful, sophisticated "white Russian" who had been the muse of the famous Russian poet Vladimir Mayakovsky. Alexander Liberman, the ambitious son of a prominent Russian Jew, was a gifted magazine editor and aspiring artist. As part of the progressive artistic Russian émigré community living in Paris in the 1930s, the two were destined to meet. They began a passionate affair, and the year after Paris was occupied in World War II they fled to New York with Tatiana's young daughter, Francine.
There they determinedly rose to the top of high society, holding court to a Who's Who list of the midcentury's intellectuals and entertainers. Flamboyant and outrageous, bold and brilliant, they were irresistible to friends like Marlene Dietrich, Salvador Dalí, and the publishing tycoon Condé Nast. But to those who knew them well they were also highly neurotic, narcissistic, and glacially self-promoting, prone to cut out of their lives, with surgical precision, close friends who were no longer of use to them.
Tatiana became an icon of New York fashion, and the hats she designed for Saks Fifth Avenue were de rigueur for stylish women everywhere. Alexander Liberman, who devotedly raised Francine as his own child from the time she was nine, eventually came to preside over the entire Condé Nast empire. The glamorous life they shared was both creative and destructive and was marked by an exceptional bond forged out of their highly charged love and raging self-centeredness. Their obsessive adulation of success and elegance was elevated to a kind of worship, and the high drama that characterized their lives followed them to their deaths. Tatiana, increasingly consumed with nostalgia for a long-lost Russia, spent her last years addicted to painkillers. Shortly after her death, Alexander, then age eighty, shocked all who knew him by marrying her nurse.
Them: A Portrait of Parents is a beautifully written homage to the extraordinary lives of two fascinating, irrepressible people who were larger than life emblems of a bygone age. Written with honesty and grace by the person who knew them best, this generational saga is a survivor's story. Tatiana and Alexander survived the Russian Revolution, the fall of France, and New York's factory of fame. Their daughter, Francine, survived them.
"'My mother enjoyed claiming direct descent from Genghis Khan,' Gray explains as she opens this complex and rewarding family memoir. That claim gave her mother 'both the aristocratic pedigree and the freedom to be a barbarian.' Tatiana Yakovleva du Plessix Liberman was 19 and hungry in 1925 when she left the Soviet Union for France. Tatiana and Russian poet Vladimir Mayakovsky soon fell passionately in love, but the ever-practical woman married aristocratic Frenchman Bertrand du Plessix instead. They had one child, Francine, before du Plessix was killed in early WWII combat. Tatiana then became involved with Alexander Liberman, a British- and French-educated artistic Jewish-Russian migr. Alex, Tatiana and Francine fled to New York in 1941 and started a new life Tatiana designing hats for Bendel's before a career with Saks, Alex scaling the fashion journalism ladder at Cond Nast. New Yorker contributor Gray tells the story of this talented, self-absorbed couple from their roots to their graves. The final chapters with the death of Demerol-addicted Tatiana and Alex's remarriage to an adoring nurse are unbearably tragic, and the inside story of the Liberman mnage is more addictive than any Vanity Fair exclusive. Gray is such a fine writer, her family story reads like a novel of early 20th-century bohemianism gone corporate. Rich with history of early to mid-20th-century design and publishing, this memoir stands as an instructive model of how to write a difficult story honestly. Gray's parents were not nice people, but she loved them, and readers, by the end, understand why. Photos. Agents, Georges and Anne Borchardt. (May 5)" Publishers Weekly (Copyright Reed Business Information, Inc.)
The much-acclaimed biographer gives an unflinchingly honest, wise, and forgiving portrait of her own famous parents, two wildly talented Russian migrs who fled wartime Paris to become one of New York's first and grandest "power couples."
About the Author
Francine du Plessix Gray is a regular contributor to The New Yorker and the author of numerous essays and books, including Simone Weil, At Home with the Marquis de Sade: A Life, Rage and Fire, Lovers and Tyrants, and Soviet Women. She lives with her husband, the painter Cleve Gray.