Synopses & Reviews
The dialectic of Top Girls is wide-ranging, covering universal dilemmas facing women, but focuses on major themes of contemporary life. The critique of feminist ambitions is a clear central theme and Churchill's selection of women from the past and modern world shows sympathy for the feminist cause and disdain for the male oppressor, but there is no sentimentality an no comfortable solution is offered for their problems.
Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982.
Review
"
Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life and at the same time feel locked in an argument with an agile and passionate mind."—Sunday Times "Ms. Churchill is one of the best writers...her play is brilliantly conceived with considerable wit to illuminate the underlying deep human seriousness of her theme."—
Spectator"A dramatist who must surely be rated among the half-dozen best now writing a playwright of genuine audacity and assurance, able to use her considerable wit and intelligence in ways at once unusual, resonant and dramatically riveting."—New Statesman
Synopsis
Set in the early Thatcher years, Top Girls is a serminal play of the modern theatre, revealing a world of women's experience at a pivotal moment in British history. Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations, Top Girls was hailed by The Guardian as "the best British play ever by a woman dramatist."
Commentary and notes by Bill Naismith and Nick Worrall
Synopsis
A play which looks at the political costs of women rising to the top.
Synopsis
Caryl Churchill: 'A dramatist who must surely be rated among the half-dozen best now writing a playwright of genuine audacity and assurance, able to use her considerable wit and intelligence in ways at once unusual, resonant and dramatically riveting' Benedict Nightingale, New Statesman
'Ms Churchill is one of our best writers her play is brilliantly conceived with considerable wit to illuminate the underlying deep human seriousness of her theme' Bryan Robertson, Spectator
Set in the early Thatcher years, Top Girls is a serminal play of the modern theatre, revealing a world of women's experience at a pivotal moment in British history. Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations, Top Girls was hailed as 'the best British play ever by a woman dramatist' (Guardian).
Commentary and notes by Bill Naismith and Nick Worrall
About the Author
Caryl Churchill has written for the stage, television and radio. Her acclaimed body of work includes Three More Sleepless Nights (1980); Top Girls (1982); Fen (1983); Mouthful of Birds (1986); Serious Money (1989); The Skriker (1984); Blue/Heart (1998) and Far Away in Autumn (2000). Commentary and notes by Bill Naismith and Nick Worrall.