Synopses & Reviews
“Carruth [is] one of the lasting literary signatures of our time.”—Library Journal (starred review)
“Carruth...contains multitudes.”—Booklist (starred review)
“Carruth is a people’s poet... a virtuoso of form.”—The Nation
This “portable Carruth” gathers new poems with the essential works from a major American poet. Included are lyrics, short narratives, comic, meditative, and erotic poems that engage politics, music, rural poverty, and the cultural responsibility of artists. As Sam Hamill writes in the introduction:
“Carruth’s great body of work is a world... Like the jazz he so loves, his poetry ranges from the formal to the spontaneous, from local vernacular to righteous oratory, from beautiful complexity to elegant understatement.”
From “A Few Dilapidated Arias”
“Our crumbling civilization”–a phrase I have used often
during recent years, in letters to friends, even in
words for public print. And what does it mean? Can
a civilization crumble? At once appears the image
of an old slice of bread, stale and hard, green with mold,
shaped roughly like the northeastern United States, years
old or more, so hard and foul that even my pal Maxie,
the shepherd/husky cross who eats everything, won’t
touch it. And it is crumbling, turning literally into
crumbs, as the millions of infinitesimal internal connecting
fibers sever and loosen. The dust trickles and seeps away.
Hayden Carruth, a longtime resident of Vermont, currently lives in upstate New York, where he taught at Syracuse University. His many honors include the National Book Award and the National Book Critics Circle Award.
Poetry. This "portable Carruth" gathers new poems with the essential works from a major American poet. Included are lyrics, short narratives, and comic, meditative, and erotic poems that engage politics, music, rural poverty, and the cultural responsibility of artists. As Sam Hamill writes in the introduction, "Carruth's great body of work is a world ... Like the jazz he so loves, his poetry ranges from the formal to the spontaneous, from local vernacular to righteous oratory, to beautiful complexity to elegant understatement."
This "portable Carruth" gathers the unignorable poems by an American master; introduction by Sam Hamill.
About the Author
Hayden Carruth was born on August 3, 1921, in Waterbury, Connecticut, and educated at both the University of North Carolina at Chapel Hill and the University of Chicago, where he earned a master's degree. His first collection of poems, The Crow and the Heart, was published in 1959. Since then, he published more than thirty books, including Toward the Distant Islands: New and Selected Poems (Copper Canyon Press, 2006) and Doctor Jazz: Poems 1996-2000 (2001). Other poetry titles include Scrambled Eggs and Whiskey: Poems, 1991-1995 (1996), which received the National Book Award for Poetry; Collected Longer Poems (1994); Collected Shorter Poems, 1946-1991 (1992), which received the National Book Critics' Circle Award; The Sleeping Beauty (1990); and Tell Me Again How the White Heron Rises and Flies Across Nacreous River at Twilight Toward the Distant Islands (1989). Known also for his criticism, Carruth is the author of several prose collections, including Selected Essays and Reviews (Copper Canyon Press, 1996) and Sitting In: Selected Writings on Jazz, Blues, and Related Topics (1993), as well as nonfiction works, including Beside the Shadblow Tree: A Memoir of James Laughlin (Copper Canyon Press, 1999) and Reluctantly: Autobiographical Essays (1998). He is also the author of a novel, Appendix A (1963), and has edited a number of anthologies, including The Voice That Is Great Within Us: American Poetry of the Twentieth Century (Bantam, 1970). Informed by his political radicalism and sense of cultural responsibility, many of Carruth's best-known poems are about the people and places of northern Vermont, as well as rural poverty and hardship. About Carruth and his work, the poet Galway Kinnell has said, "This is not a man who sits down to 'write a poem'; rather, some burden of understanding and feeling, some need to know, forces his poems into being. Thoreau said, 'Be it life or death, what we crave is reality.' So it is with Carruth. And even in hell, knowledge itself bestows a halo around the consciousness with, at moments, attains it." Carruth received fellowships from the Bollingen Foundation, the Guggenheim Foundation, and the National Endowment for the Arts, and a 1995 Lannan Literary Fellowship. He was presented with the Lenore Marshall Award, the Paterson Poetry Prize, the Vermont Governor's Medal, the Carl Sandburg Award, the Whiting Award, and the Ruth Lilly Prize, among many others. He taught at Bucknell University in Lewisburg, Pennsylvania and at the Graduate Creative Writing Program at Syracuse University. Carruth lived in Vermont for many years before residing in Munnsville, New York, with his wife, the poet Joe-Anne McLaughlin Carruth. He died September 29, 2008.