Synopses & Reviews
"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."
Journal of Religion
Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon.
Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.
Review
"Taking us on a journey from West Africa to San Francisco, Robin Sylvan reminds us that being moved by the music means much more than simply understanding the lyrics. From rock to rap, disco to heavy metal, Sylvan takes the whole music experience seriously, exploring how its very performance--and its subsequent affect on the audience--touches the entirety of what makes us human, in what can only be considered a religious experience of sound, beat, dance, ritual, and world view. . . . Will challenge your presumptions about the significance of music in general, these genres in particular, and the way we understand religion to work in the lives of ordinary people." --, -Eric Michael Mazur,coeditor of God in the Details: American Religion in Popular Culture
Synopsis
Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture.
Synopsis
What is the problem of sexual love? Neither inclusive of all aspects of sexuality nor fully synonomous with the idealized mythos of romantic love, sexual love as desire is marked by the highly charged intersection of sexuality and romantic love; it is a space where gender is imagined and enacted.
In A Craving Vacancy, Susan Ostrov Weisser examines sexuality in the context of changing ideas of romantic love and feminity in Victorian Britain. Focusing her analysis on the works of Samuel Richardson, George Eliot, and Emily and Charlotte Bronte, Weisser reveals the complex relationship between conceptions of romantic passion and ideologies of sexuality. She illuminates the Victorian period as a time when these conceptions were shifting according to changing ideas of gender. With close attention to textual details, she introduces the concept of Moral Femininity, placing it in useful opposition to the competing Victorian ideal of the Lady.
By forging a direct link between sexuality and romantic love ideology in the 19th century, and by highlighting the way in which the literary preoccupation with these subjects arises from anxieties about the construction of gender, A Craving Vacancy breaks important new ground.
About the Author
Susan Ostrov Weisser is Professor of English at Adelphi University and Academic Director of the Bard College Clemente Program in the Humanities in Harlem, New York City. She is co-editor of Feminist Nightmares: Women at Odds and author of A Craving Vacancy: Women and Sexual Love in the British Novel, 1740-1880, also available from NYU Press.