Synopses & Reviews
As social turmoil increased in England, audiences grew more in tune with Shakespeare's cynical undercutting of the Homeric tale of Greeks and Trojans, and less dismissive of his dark comedic treatment of the Medieval tale of Troilus and Cressida. This edition of his problematic play traces its theatrical history. It draws upon critical responses, photographic archives, promptbooks, and video tapes of more recent productions to reveal changes in production styles and emphasis, against a broader background of social change.
"I cannot recommend too highly the whole series to all theatre lovers, theatregoers, theatre practicioners, and anybody who enjoys Shakespeare."
Robert Tanitch, What's On in London
The performance history in English of Troilus and Cressida began in the early twentieth century. This edition is the first to offer a detailed account of the theatrical treatment of this problematic and fascinating play on the British and North American stages from its first revivals at the beginning of the twentieth century to the present. Drawing upon critical responses, photographic archives, promptbooks and video tapes, Frances Shirley traces the important changes in production styles, emphases, and responses to the play.
A detailed account of the theatrical treatment of Troilus and Cressida.
About the Author
Frances Shirley is Professor of English Emerita, Wheaton College, Norton, MA.
Table of Contents
List of illustrations; Series editors' preface; Acknowledgements; Editor's note; List of abbreviations; List of productions; Introduction; List of characters; Troilus and Cressida and commentary; Bibliography; Index.