Synopses & Reviews
In this new collection of poems, Martín Espada crosses the borderlands of epiphany and blasphemy: from a pilgrimage to the tomb of Frederick Douglass to an encounter with the swimming pool at a center of torture and execution in Chile, from the adolescent discovery of poet Omar Khayyám to the death of an "illegal" Mexican immigrant.
from "The Trouble Ball"
On my father's island, there were hurricanes and tuberculosis, dissidents in jail
and baseball. The loudspeakers boomed: Satchel Paige pitching for the Brujos
of Guayama. From the Negro Leagues he brought the gifts of Baltasar the King;
from a bench on the plaza he told the secrets of a thousand pitches: The Trouble Ball,
The Triple Curve, The Bat Dodger, The Midnight Creeper, The Slow Gin Fizz,
The Thoughtful Stuff. Pancho Coímbre hit rainmakers for the Leones of Ponce;
Satchel sat the outfielders in the grass to play poker, windmilled three pitches
to the plate, and Pancho spun around three times. He couldn't hit The Trouble Ball.
Synopsis
"[Espada is] a bridge between Whitman and Neruda, a conscientious objector in the war of silence."--Ilan Stavans
Synopsis
from "The Trouble Ball On my father's island, there were hurricanes and tuberculosis, dissidents in jail and baseball. The loudspeakers boomed: Satchel Paige pitching for the Brujo of Guayama. From the Negro Leagues he brought the gifts of Baltasar the King from a bench on the plaza he told the secrets of a thousand pitches: The Trouble Ball The Triple Curve, The Bat Dodger, The Midnight Creeper, The Slow Gin Fizz The Thoughtful Stuff. Pancho Coimbre hit rainmakers for the Leones of Ponce Satchel sat the outfielders in the grass to play poker, windmilled three pitche to the plate, and Pancho spun around three times. He couldn't hit The Trouble Ball"
Synopsis
In this collection of poems, Mart n Espada crosses the borderlands of epiphany and blasphemy: Ebbets Field, Brooklyn, in 1941, where his Puerto Rican father realizes, at the age of eleven, that dark-skinned players are not allowed on the field; the swimming pool for guards and their families at Villa Grimaldi, a center of interrogation, torture, and execution in Pinochet's Chile; the city park where the poet clumsily buries the ashes of a friend; the tomb of Frederick Douglass, now a place of pilgrimage. Espada also traces the footsteps of his own history, from his brawls in the schoolyard to his days selling encyclopedias door-to-door. He observes the tender gestures of worlds half in shadow, where an "illegal immigrant" gazes at the snapshots of her wedding to a stranger, or a high school wrestler helps to carry an evicted neighbor's couch back into her apartment. And he urges us to envision justice, to "bury what we call / the impossible, the unthinkable, the unimaginable, now and forever."
About the Author
Martín Espada has received a Shelley Memorial Award and a Guggenheim Fellowship and has been a finalist for the Pulitzer Prize, among other honors. A professor of English at the University of Massachusetts, Espada lives in Amherst, Massachusetts.