Synopses & Reviews
Underground explores the emergence of DIY punk touring in the USA. Daniel Makagon pays special attention to the development of house shows and community-based music spaces to explain why DIY spaces are so important to the creation and maintenance of punk communities and economies. The experience of organizing, playing, and/or attending a DIY punk show is an opportunity to become a real part of the DIY punk movement and to create both temporary and long-lasting alternatives to the more dominant mainstream music industry approaches to live music.
The mainstream music business has radically shifted since the development of music sharing technologies (ranging from peer-to-peer file sharing services to CD burning). Live music is one of the remaining practical enterprises for bands to connect with fans, have fun, and make money. But as the mainstream industry continues to rely on practices that negatively affect many artists, other alternatives have developed that are motivated by art, social connection, and keeping money within a community. This book explores why and how DIY touring networks emerged and how these networks have faced challenges from a variety of internal (punks themselves) and external forces (police, city officials, and the mainstream music industry).
Review
"Daniel Makagon was there, and he's likely forgotten more about DIY than many of you will ever know." and#151;Adam Pfahler, Jawbreaker
Synopsis
Underground is all about the history and future of DIY punk touring in the USA. Daniel Makagon explores the culture of DIY spaces like house shows and community-based music spaces, their impact on underground communities and economies, and why these networks matter. He shows that no matter who you are, organizing, playing, and/or attending a DIY punk show is an opportunity to become a real part of a meaningful movement and to create long-lasting alternatives to the top-down economic and artistic practices of the mainstream music industry. Punk kids playing an illegal show too loudly in someone's basement might not save the world, but they might just be showing us the way to building something better.
About the Author
Daniel Makagon is an associate professor in the College of Communication at DePaul University. His teaching and research interests are in urban communication, ethnography, documentary, and community. Makagon is author of Where the Ball Drops: Days and Nights in Times Square and co-author of Recording Culture: Audio Documentary and the Ethnographic Experience. He has also published articles about guerrilla art, public life, and urban space in a variety of communication and cultural studies journals. His audio documentaries have aired on community and public radio stations and been featured on a variety of documentary storytelling Web sites. Makagon is also the editor of The City series for the on-line journal, Liminalities: A Journal of Performance Studies.